If you didn't find what you were looking for, try a new search!
This is an elegantly crafted arrangement of a beautiful composition. The melody is accompanied by flowing arpeggios. A unique contrasting mid-section includes the melody played on bell trees, accompanied by the low bass handchimes. The arrangement transitions through two key changes((beginning in C Major, then passing through Db Major, and ending in D Major) adding to the intensity of the music.
Sondra Tucker has crafted a fabulous arrangement of this theme (originally written by Elmer Bernstein) from the film The Magnificent Seven. All the excitement of the Old West is expressed with use of a variety of stopped techniques such as mart, table mallet and RT and more. Addition of the melody played on handchimes in some sections adds to the variety of sounds. A good balance of standard ringing and stopped techniques throughout will make this a fun piece for your ringers-–and have the audience tapping their toes with the rhythm. 121 measures. Key of B♭ Major.
“Mairi’s Wedding” is a jubilant arrangement of a traditional Scottish tune. Popular on the world music scene, it is now available for the handbell community to enjoy. It is impossible to listen to it without smiling, tapping your foot, humming along or getting up to dance. Your ringers will be smiling and “dancing”, too.
“Mambru” is a traditional Puerto Rican folksong. The arranger has used a variety of handbell techniques and a rhythmic, malleted base to enhance the melody. A brief history of the song, the Spanish words, and the English translation are also provided. Performance suggestions include using a snare drum and dramatizing the story while playing.
(Everybody’s Waitin’ for) The Man With the Bag is a delightful holiday song. Written in ‘swing’ style with occasional stopped techniques, shakes, and dynamic changes, this is sure to be a favorite. Played at tempo, a few chromatics will be a bit of a challenge but accessible. Lyrics are included.
Originally part of the 1903 operetta, Babes in Toyland, “March of the Toys” has become a favorite holiday concert choice. This arrangement captures the spirit of the march with a staccato bass line that is plucked or malleted as it accompanies the familiar Victor Herbert melody. A delightful addition to any holiday program.
An engaging piece, reminiscent of John Phillip Sousa, with a delightful main theme and splendid trio section, “March Triumphant” will keep your listeners smiling and tapping their toes. There are contrasting sections and occasional rhythmic surprises to add to the musical interest of this enchanting march.
Arnold Sherman has created a delightful toe-tapping setting of this well known holiday season tune which will add sparkle to any winter holiday concert. With judicious use of a variety of stopped techniques and a swing style, this 64-measure piece would be a charming addition to any Christmas or winter holiday concert.
The arranger has created a gentle and imaginative setting of the familiar hymn tune, filled with mystery and distinctive harmonies. Written in 6/8 time in the keys of g minor and d minor, the music has a definite ethereal quality.
Three favorite spirituals ~ Give Me Jesus, My Lord What a Morning, and Balm in Gilead ~ are included in this medley. This arrangement is accessible yet lyrical and beautiful in its simplicity. Flowing inner voicings occur throughout and provide the base for the melodies to soar. This is a wonderful opportunity for all ensembles to enjoy their most expressive ringing.
Karen has written a delightful Celtic-style tune with optional ‘foot stomp’ or hand drum. Marts, mart-lifts, TD, mallets, LVs and grace notes add to the color of the arrangement. In the Performance Notes, Karen says: Because there are no bell changes for ringers, this piece may be memorized and played without using tables. This will be a fun piece to rehearse and perform and the audience is sure to be tapping their toes or perhaps, even stomping their feet, right along with the ringers!
This is a delightful transcription of the Franz Joseph Haydn composition. The well thought out use of Mallets, Pluck and Pluck lifts, Mart lifts and mallet rolls enhance the musical interpretation of this charming composition.
Gentle arpeggios, enhanced by the LV technique, accompany the traditional Gaelic melody through out the first verse. The following verses have more of a chordal structure with contrasting eighth note motifs. ‘Singing Bells’, an optional technique suggested for the final 28 measures, adds an ethereal atmosphere to this appealing setting.
Matthew Prins has created a hauntingly beautiful arrangement of the hymn tune, “Morning Song.” It may be played in its entirety with handchimes or with mallets on suspended bells. It is performed LV throughout the entire piece resulting in an ethereal sound.
“Mother Mary, May I Hold Your Baby” is an appealing arrangement of a gentle children’s choir anthem. Words to the song are provided as well as the website where the original children’s choir version is available at no cost.
“Mountain Memories” is a lilting waltz, sometimes wistful sometimes sparkling, reminiscent of emotions felt during days spent hiking in the mountains, discovering the beauty of the changing seasons. The composer has made judicious use of the Swing, LV, and Singing Bell techniques to enhance the beauty of this composition.
The arranger David Kent uses a variety of handbell techniques to enhance the rhythmic interest. This joyful arrangement is appropriate for worship or the concert venue. A buoyant, uplifting arrangement of the contemporary Christian song.
Gently flowing eighth note runs and arpeggios, judicious use of LV’s, and extraordinary harmonies create a perfect atmosphere for this expressive African-American Spiritual that speaks of the longing for better days to come.
Based on the Southern Harmony hymn tune, Resignation, this exquisite setting offers a variety of choices for interpretation with suggestions for optional voice and/or instruments. Several ringing techniques, including malleting suspended bells and use of the Singing Bell, add to the beauty of this setting. Helpful performance notes are added at the end.
The arranger has joined “Battle Hymn of the Republic”, “Dixie Land”, and “When Johnny Comes Marching Home” into a tone poem depicting the conflict between the North and South – and the soldiers returning home. Mallets, echoes, marts and more are well-placed to emphasize the music.
The bright and intense opening statement of the first verse has just enough rhythmic surprises to delight the listener. The second verse transitions to a meditative mood in a minor key (f minor) before returning to the original key for a more traditional setting of the final verse. With dynamic and tempo shifts and a variety of techniques, this piece offers multiple opportunities to work on musicality.
Here is a fresh, new arrangement of this Christmas favorite that will be fun to ring and a joy to hear. Written in 7/8 time, it is a fresh and rhythmic offering of this traditional hymn. Use of mallets adds to the excitement. 81 measures. Key of G Major.
A distinctive treatment of this age old melody includes the Singing Bell technique and malleted suspended handbells, along with the optional use of alternate bells and the somber resonance of an oboe to create the ambiance of mystery and wonder. It is also possible to play all of the parts using only one 5 octave set of handbells. This dreamy, mysterious setting of the familiar Advent tune is set in e minor and is 12 measures. Treisback’s arrangement would be an outstanding choice for a prelude before an Advent service.
Three favorite Christmas carols are brought together–“It Came Upon A Midnight Clear, The First Noel, and O Holy Night, (with just a hint of Silent Night)”– in a lovely medley that will certainly delight both ringers and those who are listening.
This distinctive arrangement of the hymn tune “Ebenezer” is set in 6/8 time, using a malleted eighth and sixteenth note pattern to accompany the traditional melody. There is a smoother contrasting section using handchimes ringing the melody and handbells providing an LV accompaniment. It then returns to the rhythmic texture of the opening segment.
The innovative arrangement of the hymn tune “Personent Hodie” is ideal for your Christmas season concert or church service. The first 8 measures may be used as a processional or an antiphonal introduction. Alternate bells (Whitechapel, Silver Melody Bells, etc), if available, along with malleted suspended handbells add to a feeling of the mystery and awe.
The setting begins with the presentation of an eight measure theme. This theme continues as a counter melody to the hymn tune, weaving its way through the composition in varying octaves. Handchimes are introduced midway through, ringing the traditional hymn. The piece closes with a return to the opening theme.
The setting begins with the presentation of an eight measure theme. This theme continues as a counter melody to the hymn tune, weaving its way through the composition in varying octaves. Handchimes are introduced midway through, ringing the traditional hymn. The piece closes with a return to the opening theme.
Opening with an arppeggiated bass accompanying full lush chords, this meditative composition is perfect for any contemplative occasion. Written in the key of c minor, the plaintive quality of the piece is enhanced with the use of LV, PL and Martellato techniques.
The arranger has taken two main themes from the fifth movement of Beethoven’s Pastoral Symphony (#6), “Shepherds’ Song of Joy” and “Thankful feelings after the Storm,” and artfully arranged them for 5 octave handbells and 3 octaves handchimes. Gentle use of a variety of stopped sounds and expressions will make this piece stand out in worship and in concert.
The composer has used the hymn tune, GENEVA 42, for this upbeat and accessible arrangement. A variety of handbell techniques are included to create several rhythmic variations on the melodic theme, making it dance-like from beginning to end
“Pavane” by Gabriel Fauré was first written as an orchestral work for strings and a few woodwinds. He later enlarged it to include chorus and dancers. The fact that “Pavane” has been transcribed for many instruments in many genres is a tribute to the innate musicality of the work.
This is a fun arrangement, true to the original, with optional trap set and mallet-handle clicks. Spoken “operator” lyrics are included (and are represented on the demo sound file as mallet clicks.) The entire piece is ‘swung’ and sure to be a hit at your next concert! Percussion notation is included on the handbell score.
“Continuous” and “uninterrupted” are two of the synonyms given “Perpetual”. They definitely describe the drive and energy of this exhilarating original composition. The tempo is vivace with a half note at 90. The movement of the constant eighth note patterns is shared by both bass and treble handbells. A beguiling melody is introduced in measure 13. A transitory development mid-section makes use of the Singing Bell technique for the accompaniment, providing a brief respite from the otherwise continual exuberance and verve of the composition.
“Festive” is the first word that comes to mind when describing this traditional Christmas song from Mexico. Rhythmic patterns moving between 3/4 and 2/4 time signatures and stopped techniques create the celebratory atmosphere.
This original composition presents a somewhat wistful atmosphere. Gently meandering arpeggios summon impressions of a peaceful sunrise or sunset. Flowing eighth notes at a moderate tempo and minor tonalities create a calm feeling. This piece is 69 measures in length.
The music of Leroy Anderson translates perfectly to handbells and this arrangement for the handbell soloist is no exception. This entertaining arrangement is performed entirely with mallets. The accessible piano accompaniment is true to the original orchestral piece and complements the solo. The inclusion of a percussion part for slapstick and siren (included in the packet)add to the fun of the performance.
This original work features an exciting, rhythmic opening to the ‘A’ section, then segues to a serenely calm middle ‘B’ section rung on handchimes, followed by a return to ‘A’ with some interesting variations. The melody is engaging and some of the chords and progressions are unexpected but quite satisfying! This piece is a wonderful fit for worship or concert.
Two inspiring hymns of the church–“Praise to the Lord Almighty” and “All Creatures of Our God and King”–are combined to create this exciting composition. Including a variety of techniques to enhance the interpretation of the music, the composer has created a moving piece appropriate for church or festive occasions.
Prayer – sometimes it’s thoughtful, reflective, meditative, but at other times it’s joyful, happy, and full of praise. These two moods are reflected in this original work which begins in a sober 3/4 and finishes in a swinging 4/4. All three ringer’s parts are on one score, so each ringer will need a copy. Mallets are called for in the second section.
Here is a bright and exciting arrangement of this familiar Advent hymn: Prepare the way, O Zion! Your Christ is drawing near! Based on a Swedish melody dated prior to 1560, Dillon has written this in 8/8 interspersed with 2/4 and 6/8, and has made excellent use of stopped sounds and rhythmic accents. The melody dances along from beginning to end. An excellent work for your Advent worship! 74 measures. Key of F Major.
An exciting new processional commissioned for the 2006 Area 11 Festival Conference opening ceremonies and RING IN THE ROUND concert, this piece is built on the Eb4 bell. The first 42 measures are in 4 measure segments, adding layers as the piece progresses. Ample repeated sections are provided, ensuring ringers are at their tables for the final 31 measures which include martellatos, mart lifts, a tower swing and gyros.
This exciting original composition opens with a fanfare-like introduction which builds into a driving rhythm, with treble shakes, syncopated accents, and a bright melodic theme. The music segues into a lilting melody with a gentle rhythmic accompaniment before returning to the excitement of the opening theme.
Gentle and introspective describes this work. Kevin has arranged Jesus Paid it All and Holy, Holy, Holy beautifully for bells and chimes. It is ‘rung’ throughout and offers opportunity for musical expression. 59 measures. Keys of C Major and F Major.
This is a clever arrangement of three well known children’s songs: “This Old Man”, “John Jacob Jingleheimer Smith” and “B-I-N-G-O”. They may be played as a medley or as individual songs. There are Thumb Damps, malleted notes and martellatos, along with directions for making creative percussive sounds that add to the fun of this piece.
This piece represents a unique and interesting handbell opportunity in published pieces. As a festival piece, it can be played by two separate groups of differing abilities. Rondo was commissioned by Carlos Rivera for the Festival Puertorriqueno de Coros de Campanas. An engaging melody, variety of techniques and opportunities for expression make this an amazing educational piece for your group or in festivals.
This is a moderately challenging composition in Rrndo form, for two octave handbell choirs or small ensembles. Adding Thumb Damps, Martellato or the Echo technique to the treatment of the main melody each time it returns enhances the appeal of this enjoyable composition.
Rondo Rustico is a dance-like work with the flavor of Slavic folk songs. It is written in e minor with contrasting sections in E Major and a minor. Exhilarating to play, the piece would be a fantastic selection for massed ringing.
Opening with an extremely slow cadenza feeling, the mood quickly changes to a rhythmically accented bass accompanying a delightful melody. TD, RT and malleting add to the excitement of this original composition with a Latin flair.
Betty Garee was a pioneer in arranging music for handbells. Her legacy lives on in this arrangement of J.S. Bach’s original piece from the First French Suite. Marked “Andantino” the music focuses on the purely rung sound of bells with no special techniques at all.
This composition was written to honor those currently serving, those who have served, and those, both military and civilian, who have given their lives for our country. The poignant melody rung on handbells, accompanied by LV handchimes, paints a haunting picture. You can almost see “shadows” of those who have served appearing, then fading away.
The arranger has used judiciously placed LVs and contrasting handchime melodic lines to create a rich, meditative version of this long-standing hymn of the church. With character setting of “gently”, this rendition creates a peaceful setting that would be a nice choice for an offertory or reflective moment in the service.
Here is an absolutely enchanting arrangement of Stille Nacht! Heilige Nacht (Silent Night). Its first performance in 1818 was simple and pure with voices and guitar. Brian has captured that simplicity in this gorgeous arrangement. Even if you have more than three octaves bells, you should consider adding this arrangement to your Christmas favorites – it is a perfect fit for a candlelight service or any time calling for beauty, peace and introspection.
Here is a delightful arrangement of the Christmas favorite, Noel Nouvelet. It is very nicely developed, with portions of the melody being rung throughout the bell range. The melody is supported by nice modulations and effective contrapuntal passages. There are a couple of key changes and some LVs, otherwise, it is rung throughout. This is lovely and will be enjoyed by all. 51 measures.
This totally delightful and entertaining original composition has a beguiling melody. It is a perfect choice for your winter concert program. Contrasting sections employ a variety of techniques, including Thumb damps, the Echo, and Martellato.
The arranger first heard this music while watching a very strange Lon Chaney silent movie called “The Unknown.” The tune is lovely and memorable, the arrangement is straightforward, and will be a lovely addition to any repertoire. 71 measures. Key of C Major.
The arranger first heard this music while watching a very strange Lon Chaney silent movie called “The Unknown.” The tune is lovely and memorable, the arrangement is straightforward, and will be a lovely addition to any repertoire. (It is also arranged for handbell choir – Cat. 20529).
The appealing jazz composition opens with an unhurried pensive section, moves into a gentle but steady rocking rhythm with a haunting melody, and closes with a return to the opening mood. Enchanting to hear, it is 83 measures and is scored in F Major.
Ancient Tribes is based on the traditional songs of the Native American Church, which were used for sacred ceremonies. The repeated pattern in the bass part is meant to depict the rhythm and the physical playing of the drums that would normally accompany these songs. Grand Canyons is an exploration of the awesome formations found in desert canyons. The swing, echo, and gyro techniques used throughout are literally meant to duplicate the echos and deflected sounds one might hear as if standing in a canyon. Ride’em Cowboy! is based on an old traditional cowboy song called “Big Corral.” The lively rhythms and malleted notes depict the galloping of the horses.
“Spiritfire” is a vigorous, high-spirited composition, opening in a straightforward 4/4 time before it shifts to an energetic, rhythmic 7/8 meter. The judicious use of LV and various stopped techniques enhances the excitement of the piece.
An original work by David R. Kent, Spiritoso opens energetically in C minor with a variety of stopped techniques and dynamic changes and an engaging modulation to F minor, while the opening pattern continues. All that power and excitement segues to an expressive lyrical section with a lovely melody and a brief addition of handchimes. The lyrical middle section begins in F Major, then modulates to G Major, before returning to C Minor in the style of the opening section, ending with great energy in the key of F Minor! This is sure to be a favorite of ringers and audience alike!
Here is a definite Show Stopper arrangement! To quote the arranger, various sections are labeled “Sultry”, “Mournful”, “Gutsy”, “Sassy”, and “Boisterous”. From the opening swing section through the final sassy boisterous section, the music builds tempo and intensity. There is an optional 10 measure section for handbells to vamp if a soloist is used. Toe tapping will definitely be necessary for everyone listening to this 85-measure piece performed.
This arrangement is fun, charming and totally entertaining for ringers and audience alike. Combining “Up On the Housetop” and “Jolly Old St. Nicholas” with a boogie bass line and a treble line with a swing, the arranger has created a composition that will be a favorite on any holiday concert program. There will be a whole lot of toe-tapping and smiling going on as audiences enjoy this merry arrangement.
Sue has created an excellent arrangement of one of Sousa’s best-loved marches. In the beginning, the bells ring the familiar main A-B themes of the tune, then the piano solo takes the spotlight while the bell tree is set up. The soloist enters again, playing the bell tree counter-melody, which in band concerts, is typically played by the piccolo! This is a really fun arrangement for the moderately-skilled solo ringer.
Here is a sensitive arrangement of this familiar African-American spiritual. The occasional addition of handchimes playing the melody plus a nicely crafted modulation from C major to Eb major adds to its charm. It is ‘rung’ throughout with a few echoes added for interest. The entire work is lyrical and should be played with great feeling. 86 measures.
This is a sensitive and peaceful arrangement of a favorite William Bradbury hymn. Use of singing bell technique opens this work and supports the entrance of the melody played on handchimes. Occasional LVs and echoes add to the charm of this work. This is a wonderful piece for your beginning handbell choir. 87 measures in the key of G Major.
This delightful setting features a variety of techniques to enhance the traditional melody. Swings, echoes, stopped techniques and a “light swing” make this arrangement fun and entertaining. The tempo is not overly challenging, and this piece sounds more difficult than it is.
What could be more lighthearted and frolicsome than a handbell arrangement of this classic song! The arranger’s discerning use of a variety of techniques adds a playful, dance-like feeling to this charming melody. Including the lyrics in your performance will make this even more fun!
I Love to Tell the Story and Tell Me the Story of Jesus have been combined into a beautiful piece for bells and chimes. It begins with a legato section underlying the melody which then segues into a key change and gently malleted notes supporting the melody line in the chimes. There are touching nuances throughout. This will be a lovely addition to your worship repertoire.
Take a standard ballad from the 1940’s, add a light jazz feel to the traditional rhythms with Ring Touches and the echo technique, and you have Paul Allen’s arrangement of this well known song. With syncopation and interesting harmonies throughout, this piece is an enjoyable addition to any concert. It is from the 1942 movie “Star Spangled Rhythm.”
The setting of this comforting spiritual is sensitive and soothing, appropriate for church service or concert program. The five measure introduction leads into the first verse with treble melody accompanied by eighth note runs and arpeggios. The mid-section features melody on handchimes, accompanied by whole note chords using the Echo technique. The arrangement closes with a return to the treble melody accompanied by the running eighth note and arpeggio patterns.
Joel has crafted a lovely arrangement of this hymn favorite – which features an introspective and ethereal opening using singing bell technique and handchimes. A straight-forward and gently flowing section places the melody in the 4’s and 5’s with a lovely LV bass supporting it. A lively section with mart-lifts and bass mallets, is softened by handchime chords and is simply delightful. He then completes the song with a full, rich ringing of the final verse. This arrangement will be thoroughly enjoyed by ringers and audiences alike. 99 measures. Keys of Eb major, Ab major, and C major.
Three individual processionals are presented in this publication with suggested, alternate titles: “Dorian Pastorale” (Grace), “Mixolydian Entrada” (Triumphal Entry or Procession of the Kings), and “Lydian Stomp” (Make a Joyful Noise). Each processional uses short, easy to memorize ostinato patterns which are layered together in various combinations. For each processional, Michael has provided three variations of optional for movement, one that is easy, one of moderate difficulty and one that is challenging.
An innovative, creative collection of three unaccompanied hymns arranged for the handbell soloist. Seven to ten melodic “patterns” performed on bell trees are provided for each solo. They are to be inserted between phrases of the hymn, which is rung with bells on the table. Instructions and suggestions for performances are also included for each tune. The hymn titles are “Savior of the Nations”, “The Strife Is O’er” and “Ah, Holy Jesus”.
A stately four measure opening section features the swing technique with full chords before introducing the lively and joyous main theme. The well crafted composition continues, alternating elegant full chord motifs with the bright and jubilant main theme. Crisp, clean ringing is called for in this 80-measures work.
Lee has crafted an exciting and challenging handbell arrangement of the well know Toccata from Widor’s Organ Symphony #5. It is certain to keep your treble and mid-range ringers extremely busy while the low bass alternates between moderately busy and free to help out with the treble bells.
This arrangement of a French Folk Song, MEUNIERE, is a unique teaching piece. TON MOULIN means “your windmill”. The wind is imitated by use of the echo and gyro techniques. The music alternates between “slow and expressive” with a quarter note = 84-96 and “lively” with a quarter note = 132.
Tote-a-Bells is the title of a new series of music which requires only the bells and chimes, a music stand and music – easily transported to any venue. There are four sets available for purchase with more to be added as time goes on. Each of these sets contains two carols. There are many performance options to suit your needs such as bell tree, processional, handchimes and more. You will need to look at each set for the amazing variety suggested, depending on your needs. God Rest Ye Merry Gentlemen is 34 measures. Sleep of the Infant Jesus is 28 measures. Both pieces are in the key of G Minor.
O Come All Ye Faithful is 20 measures in length. Hark the Herald Angels Sing Fanfare 30 measures. Both pieces are in the key of C Major.
Once In Royal David’s City is 16 measures. Silent Night is 24 measures. Both pieces are in the key of C Major.
Patapan is 28 measures. What Child Is This is 48 measures.. Both pieces are in the key of C Major.
Deck the Halls is 28 measures. Up on the Housetop is 34 measures. They are in G Major.
Jingle Bells is 27 measures. Jolly Old St. Nicholas is 32 measures. They are both in C Major.
The original 3 octave handbell arrangement of this Victor Herbert classic was published in 1983. It has now been expanded to include 3 to 5 octaves of handbells and 3 or 4 octaves of handchimes. The lilting, nostalgic 72-measure arrangement of this timeless holiday standard is sure to be a concert favorite.
Providing the opportunity for ringers to shape phrases and ring musically, this melodic original composition is enhanced by the careful use of LV and the echo technique. It is an enchanting, meditative piece.
This piece includes all your ringers in melodic triplet patterns throughout the piece (even the bass 3’s). It’s a quirky, haunting little melody (Kath’s son calls it her “Harry Potter” piece)perfect for Halloween or general concerts, festivals that need a light touch, and even worship services (with the subtitle “Trial and Temptation” or “The Trials of Job”.) It would also be perfect for use in triplet focus classes.
Made popular by Glenn Miller in the 1940s, this tune has stood the test of time. Arranger Paul Allen is true to the original in this handbell/handchime arrangement. The style is light swing and the use of accents and stopped sounds emphasizes this nicely. Improvisations are written out and the score includes performance suggestions – including executing a Table Land Damp with handchimes!
This Canadian Christmas song is beautifully arranged by Matthew Prins. It begins with suspended bell LVs creating an ethereal mood. Changing meters and effective interplay between bells and chimes make this a unique and lovely work.
This one is definitely for fun and merriment! Each of the 12 days has its own motif and special handbell techniques. Performance suggestions are provided by the composer, as well as encouragement to use your own creativity. It may be performed “straight” or go all out with props and audience participation.
This is a lyrical combining of the Spanish folk song, A la Nanita Nana, a lullaby for the Holy Infant, and the traditional Catalan Carol of the Bells. Careful use of LV, suspended bells, gentle mallet rolls and more makes this an interesting song for any group to ring and audiences to enjoy. The optional addition of bongos and maracas rounds out this lovely arrangement of A la Nanita Nana.
Carol and Jane have come up with another delightful entertaining handbell solo. Their arrangement of "Typewriter" includes a written part for an actual typewriter! The handbell solo part is performed entirely with mallets, bells on the table. Detailed instructions and performance notes are provided. The packet includes the handbell solo, piano accompaniment and typewriter score! In the key of G Major, measures total 107.
William Aprile has taken this classic Dave Brubeck composition and created a delightful setting for handbells. This challenging 78-measure arrangement sparkles with its jazz swing style and its fast tempo. This is a guaranteed showstopper at any concert.
The arrangement is a resolute portrayal of the lyrics of this poignant song. Beginning with an unembellished presentation, each verse builds in intensity. The arranger has included LV, echo, malleting and vibrato techniques to communicate the passion of the music
Vivir! – To be alive! The composition is the composer’s interpretive work to express the span of one’s life from pre-natal stages to the moment of death. His suggested choreography for the beginning and closing measures to help convey this theme to the audience is included. Set in the F lydian mode, which centers around the F but uses all white notes, this work is 86 measures.
Kevin has joined the spirituals “I Want Jesus to Walk With Me” and “Just a Closer Walk with Thee” to create a lovely work suitable for any worship experience. Nontraditional intervals and a minor key help to create a mournful mood in the first half of the medley while a major key and bouncy martellatos liven up the last half.
“Waltz Confuzion!” is an entertaining arrangement for the soloists who enjoy adding a touch of humor to their program. Carol and Jane have cleverly combined portions of familiar waltzes by Tchaikovsky, Brahms, and Chopin to create an engaging handbell solo with piano accompaniment. Performance notes are provided.
Nothing is more energizing than a rousing John Philip Sousa march. The arranger has captured all of the high spirited excitement of the original composition in this arrangement for handbells. A variety of stopped techniques add to the delight of the arrangement.
This Jerry Herman song, from the musical Mame, has been delightfully arranged for handbells and handchimes. Malleted, plucked, and TD notes support the melody which is alternately rung on bells and handchimes. This will be a great addition to your holiday concerts. 80 measures. Keys of C Major and D Major.
This arrangement is creative, flowing, lyrical and filled with expression. The placement of LV, Sk, mart lift and echoes beautifully emphasize the melody and counter-melodies. This will be an excellent addition to your Christmas handbell repertoire.
This is a lovely pastoral composition which has been artfully crafted. It combines the SICILIAN “BAGPIPER’S” CAROL with Handel’s HE SHALL FEED HIS FLOCK to create a peaceful and expressive setting of these two well known Christmas pieces.