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Mr. McChesney was commissioned to arrange this traditional carol for the Twelfth Night Handbell Festival in Bakersfield, California. A fanfare opens the work over a pedal point. The texture is full and can be rung with 3 to 5 octaves and optional organ and/or brass. Special techniques are used throughout the work. Brass ensemble consists of 2 trumpets, Horn, Trombone, and Tuba.
A pull-out from the collection "Extra-Special Spirituals". Lots of fun techniques are used to "jazz" up the riverside, alternating accompaniment simulates rippling in the peaceful river and the shake technique "rolls" things along in the Jordan! Seventy-four measures in length.
Linda McKechnie pulled out "all the stops" in her arrangement of this toe-tapping, old spiritual! Crammed full of chromatic accompaniment and iced with Biblical narration, the melody persists in declaring that Ezekiel saw something "mighty strange" up in that sky! The extra instruments are optional and any combination of them may be used. Set in C Major, G Major, Ab Major, and F Major, measures total 77.
Based on the traditional carol "We Three Kings," this setting resembles a gourmet meal with just the right amount of spicy techniques complementing rhythmic motives, and optional percussion parts. The structure is light to begin with and then grows more intense as the piece progresses. The ending chord features a gyro technique that gradually fades away. Percussion is Suspended Cymbal, Woodblock, Tambourine, Suspended Chimes, and Sandblocks. Measures total 101.
Handbells and piano combine in this original work written in memory of one who "was devoted to the Risen Saviour, Jesus Christ." The music reflects this devotion through passionate passages of lyrical melody and flowing accompaniment. The 163-measure score builds in intensity to a final 7-measure, chordal amen.
The flowing, gurgling, and splashing of water in a fountain are musically depicted through the use of sixteenth-note rhythmic figures, fresh harmonies, and the addition of a melodious flute part. The piece may also be rung under the subtitle "Visions".
“Sweet Little Jesus Boy” is a modern Christmas classic; and Jefferey Hall's setting for handbells, optional handchimes, and optional voices is both haunting and beautiful. These options make for a versatile addition to any repertoire. Set at an adagio tempo, much feeling should be put into this one. "Sweet Little Jesus Boy" is arranged in e minor and is 56 measures.
Keyboard and handbells combine in this musical nod to Beethoven’s beloved original. Bells open the work with a bright fanfare of pulsing eighth-note patterns. The keyboard then enters in measure 9 to make its own statement, accompanied by malleted bells. This imaginative dialogue between the instruments continues until the end in measure 124. This rendition is scored in C Major.
Once again, arranger Kevin McChesney has taken music from talented pianist and writer Lorie Line and brought its magic to handbells! This time, the traditional hymn "Joyful, Joyful" gets a very unique and contemporary treatment. Scored in F Major, this arrangement is 105 measures.
Kevin McChesney gives this familiar tune a truly triumphant character. An upbeat, toe-tapping tempo and dotted rhythms keep the music moving along and bright major keys lend a jovial feel to the score. A few chimes in the midsection offer a change in timbre. The keyboard part includes some challenging but repetitive rhythms. Although the keyboard is optional, its use will greatly enhance the arrangement! 64 measures. Keys: E Major and F Major
Congregations and audiences will be transported by this wonderfully beautiful setting of the hymn for Lent. Flute (or C instrument), while optional, will add to further the meaning and musicality of this mesmerizing work. 72 measures. Key of C Major.
This setting is designed for great flexibility. Although the piece may be performed by handbells alone, it may also include SATB choir and/or brass quartet/quintet. Other options include handchimes or organ playing the SATB choral parts. The full score includes a reproducible page for SATB choir, handchimes or keyboard. The set of reproducible brass parts includes trumpet I & II, trombone I or French horn, trombone II, and optional tuba. Usable all year, the piece is suitable for worship as well as festival settings.
Intended for congregational singing, this arrangement includes a fanfare introduction and four stanzas containing joyous harmonies and soaring descants. If desired, the handbell part can be played alone, and all other parts are optional.
This arrangement of the familiar, triumphant hymn features several options including bells alone, bells with organ and/or brass, bells and choir (with or without organ and /or brass), bells and congregation or all of the above.
General/All Saints Day This powerful composition begins with a "trumpet call" of five measures followed by the interweaving of bells and keyboard in a regal, majestic style. At mm. 24-25, an uplifting key change occurs from A flat to C major. A keyboard part is published separately (CGB 358). Edition 2-3 Octaves CGB 356 and 4, 5 or 6 octaves CGB 357 are available and may be played together, making it an excellent festival piece.
This flexible arrangement of the traditional Latin canon may be presented in several ways: 1. handbells alone, 2. handbells and instruments, 3. handbells and keyboard, and 4. handbells and any combination of voices in 3 or 4 parts (with or without keyboard and/or instruments).
Kevin McChesney's stirring medley of hymns includes Faith of our Fathers (ST. CATHERINE), My Hope Is Built (THE SOLID ROCK), and Blessed Assurance (ASSURANCE.) The essential keyboard part may be played on either piano or organ. The optional parts for solo trumpet or brass quartet are published separately.
This original composition may be rung as a solo handbell piece, or combined with SATB choir and optional cantor, congregation and piano using the companion choral score. The congregation may join the choir or cantor in singing the simple refrain.
This arrangement includes five Easter carols, varied in style and connected by carillon patterns. It is written for one handbell and one handchime choir, but two handbell choirs, or one handbell choir with organ or piano would also work well. It will make an elegant prelude for Easter worship services.
The hymn tune LOBE DEN HERREN takes on a surprisingly new twist in this swingy jazz arrangement, featuring improv-style solos written out for the flute, bass and drums. The solos are included in the handbell part, but they may be omitted and played only by the other instruments if an easier arrangement is desired. Jazz articulations are achieved in the handbell part through extensive use of RT, accents and grace notes. This piece will be a fresh addition to worship or concert.
This energetic setting of the tune ELLACOMBE uses syncopated percussion parts to build a polyrhythmic texture, providing a somewhat different flavor to this well-known martial hymn. Handbell entrances of derivative motives follow the percussion opening. These first 20 measures could easily be memorized and used as a processional. After a stately announcement of the tune, the middle section contains refreshing harmonic interest and a slower tempo for variety, followed by a rousing reprise of the hymn complete with percussion.
Jean Joseph Mouret's evergreen opening movement from the "Suite De Symphonies No. 1" is an elegant expression of joy. The easy rhythms and sectional repetitions make the work readily accessible. The fanfare-like sounds that permeate the piece make it an ideal prelude to a worship service or an excellent opening selection for a concert.
"Winter" from Vivaldi's "The Seasons" is the source of the beautiful Largo. This setting is a piece for all seasons as well as for multiple combinations of handbells, handchimes, and keyboard. A chordal 2-3 octave version may be rung alone, with provided keyboard accompaniment, or in combination with the 2-6 octave version. The 2-6 octave version may be rung alone or with the 2-3 octave version. When rung alone, the 2-6 octave edition is especially beautiful when played entirely on handchimes, without the octave doubling of the treble bells. This adaptable setting is perfect for beginning as well as "seasoned" ringers! Suitable for concert or worship.
"Rock Around the Clock" - that fifties classic - is now available for handbells, complete with the "trombone smear effect!" It is sure to become a favorite in the handbell concert repertoire. 3 and 4 octave choirs omit downstemmed notes in the bass clef, and use bass instrument part throughout. Parts for bass (guitar, string bass, euphonium, or tuba) and drum set are included with the full score.
Partially inspired by John Gillespie Magee Jr.'s famous poem, "High Flight," this creative arrangement of the spiritual features a soaring accompaniment as well as majestic harmonies reflective of the "wind-swept heights" and "sun-split clouds." Appropriate for services of remembrance, this work would also provide a time for reflection within a concert setting.
A variety of handbell techniques are employed in this delightful arrangement of the familiar carol. The mysterious, infectious quality of the arrangement makes it an appealing addition to the music for the holiday season.
The upbeat and rhythmic African flavor of this original composition will delight both ringers and listeners. The percussion instruments needed are djembe, 2 smaller African drums, shekere, and an African bell. However, congas, bongos, maracas, and cowbell may be substituted if necessary. Techniques included are malleted bells on the table, mallet lift, martellato, martellato lift, and shaking. "Sherekea usafari" means "celebrate the journey" in the Swahili language.
This calm, meditative original composition directly reflects the text of Psalm 121 in a lyrical style, with gentle, flowing rhythms and sweeping melodies. The words of the Psalm are printed along with the music, so ringers and directors will be able to relate the music to the text, thus enhancing interpretation. Although the organ and handchime parts are optional, they lend a beautiful richness and fullness to the sound. This piece is appropriate for Lent or times when themes of hope and strength are the focus.
The well-known Shaker hymn is arranged for double handbell and handchime choir, with the chime part being much easier than the bell part. The first section is gentle and relaxed, and then the hymn takes on a lively, dancing "jig" character, with malleted rhythmic bass bells and a bouncy, lilting melody. The handbell part can stand alone, and the handchime part may be played by a keyboard instrument if desired.
Strauss' captivating polka (Op. 332, RV 332) was first performed in its original orchestral version on March 16, 1869. The delightful melodies and sprightly rhythm will energize both players and audience members. Special bell techniques include mallets, ring touch, shakes, LV, and martellato. The original Hungarian title is translated as, "Hail to Hungary!"
This arrangement is written for two choirs, with the less-advanced group playing the part for handchime choir. If two choirs are not available, a keyboard may substitute for the handchime choir. The piece begins and ends with a bell peal gaily quoting “Joy to the World.” The middle section modulates to a new key with a dance-like arrangement for handbells alone and then moves back to the original key as the handchimes join for the closing section.
Stirring and energetic throughout, this medley intricately combines three hymns of praise with Alleluia refrains: the majestic LASST UNS ERFREUEN ("All Creatures of Our God and King" and "Praise God from Whom All Blessings Flow") and the processional-like SINE NOMINE ("For All the Saints"). Ringers will be busy with numerous bell techniques: pluck, mart, ring touch, mart lift, and shake. Reproducible parts for B-flat and C treble instrument are included in the full score.
It was on his travels to the West Indies that Arthur Benjamin discovered the native melodies on which this, his best-known composition, is based. This energetic arrangement lends itself to “dueling” handbell choirs and treble bells and bass bells as it progresses through the two musical themes in various keys. Whether played by one or two handbell choirs, the contagious energy of this piece will make it a favorite for concert programming. (Reproducible percussion parts included with the full score.)
This handbell arrangement of the grand march will be a stunning addition to the repertoire of advanced handbell ensembles. It affords opportunities for all ranges of the ringing table to have a turn under the spotlight. The optional auxiliary bells and percussion provide added drama and color. The “grand finale” brings forth all of the available tone colors of bells, chimes, auxiliary bells and percussion for a glorious energetic and uplifting ending! Instrumentation: 5, 6 or 7 octaves Handbells and and 2, 3, 4, 5 or 5.5 octaves Handchimes, with opt. 2 or 3 octaves Auxiliary Bells and opt. Snare Drum, Triangle, Cymbals, Bass Drum and Timpani.
Here is a stunning arrangement combining the "Dies Irae" and "Stabat Mater" chants layered with the melancholy PASSION CHORALE ("O Sacred Head, Now Wounded"). The singing bell technique adds intensity to this memorable selection for Maundy Thursday, Good Friday, or any time during Lent and Holy Week. The optional cello adds great sophistication to the piece, whether in worship, festivals, or concerts.
"When In Our Music God Is Glorified" is an arrangement of the tune "Engelberg" that may be played by handbells alone, or in conjunction with organ, brass, timpani, SATB choir, and congregation. This glorious festival hymn arrangement begins with a fanfare introduction, followed by a straightforward setting of the first verse sung in unison. The second verse features the choir in four parts, accompanied by the bells and organ only. The brass and timpani join in on the third verse, which features a malleted or plucked bass line in the handbells, creating a march-like feel. A fanfare interlude precedes the majestic fourth verse, which features a soaring soprano descant, and a brief choral "Amen" concludes the arrangement. This hymn arrangement is perfect for worship, concert, or festival use.
A fifteenth-century English tune is arranged here with a dance-like, Renaissance flavor. With minimal bell changes and simple rhythms, it is a very accessible arrangement and may be conducted in three beats to the measure or in one, depending on the ability of the group. The musical styles are varied throughout, including a lilting dance; a flowing, beautiful section; a canon underscored by singing bells; a bold, chordal section; and an ethereal, transparent ending.
"Be Still, My Soul" is one of the great hymns of the church, and Lorie Line's flowing and expressive setting creates a prayerful atmosphere. This arrangement beautifully combines handbells and piano, along with optional instruments and voice(s). The music has a great deal of movement and is organic and lovely.
This delightfully rhythmic original composition is very flexible. It may be played as a double-choir piece for handbell and handchime choirs or by handbell choir alone. The up-tempo meter alternates between 4/4 and 6/8, and the handbell part includes the use of mallets, ring touch, martellato, and martellato lift. A restful, lyrical middle section follows, using a new melody that begins softly then blossoms into a rich and glorious sound. The piece concludes in its original up-beat, rhythmic style. "Te Deum Laudamus" is translated as "We Praise Thee, O God," making this piece suitable throughout the church year, as well as for festival or concert use.
The hymn tune JERUSALEM by Charles Hubert Hastings Parry (1848-1918) serves as the tune for what is considered to be England's most popular patriotic song. The tune was further popularized by movies such as "Chariots of Fire" and "Calendar Girls." This setting features words to a hymn by Carl P. Daw, Jr. and is playable by handbells alone with optional parts for chimes, SATB chorus with soprano descant, and organ.
John Behnke’s arrangement of Angels from the Realms of Glory is uplifting and incredibly flexible; the perfect combo for directors! This piece can be a 3-5 octave handbell prelude, or you can use combinations like bells and choir, bells, choir, and congregation, bells and keyboard, or even bells, choir, keyboard, brass, and timpani. Your ringers and your choir will love it. It's sure to be your new blockbuster for Christmas!
The latest in the Choristers Guild series for combined handbell and handchime choirs, this arrangement includes both of the well-known tunes associated with the text. The first tune presented is GOD BE WITH YOU by William Tomer, followed by RANDOLPH by Ralph Vaughan Williams. The handchime part is optional, and the handbell part can stand alone. The only special techniques included in this piece are LV and mallets on suspended bells. This meditative arrangement is perfect for the close of any service, concert, or festival.
For many of us, "Dance of the Hours" conjures up alligator and hippo dancers from the original Walt Disney production "Fantasia." Actually, this selection by Amilcare Ponchielli is from "La Gioconda," and arranger Arnold Sherman has done a superb job of adapting it for bells, chimes, and percussion. This is a challenge to rehearse and a joy to perform (and hear!). Five separate scores for Handbell Choir I, Handchime Choir II, Handbell Choir III, Percussion, and Full Score are available. The piece is from the Red River Gold Series of Music for Advanced Ensembles. Measures total 266.... FOR DISTINCTLY BRONZE WEST CHOOSE HB SCORE 1 - RRG 0010
Arranged for 2 or 3 octave handbell choir or handchime choir. Level 1. This set of two level one arrangements is a perfect choice for a youth or beginning choir, or for a more advanced ensemble down a few ringers. Available in both 2-3 and 3-5 (BE 685) octave compatible editions, these settings of “O Come, O Come Emmanuel” and “Silent Night” are simple, yet harmonically rich and complex despite having no bell changes. Perfect for a Christmas Eve service, or any time during Advent.
This set of rhythm development exercises is designed to grow and strengthen your ringers rhythmic reading skills as well as independence of the hands. Great for weekly warm-ups or at-home ringer practice. There are five sets of exercises (1. Whole and Half Notes 2. Quarter Notes, 3. Eighth Notes, 4. Sixteenth Notes 5. Triplets/Bell Changes) each including individual 1 page/10 line exercises on notes, rests, ties, marts, and shakes. Level 1 - Level 4+.
Perfectly timed for beginning ringers to shine with 8th notes at Christmas in worship or concert! Carefully scored for ease of reading, “Hark! The Herald Angels Sing” features clearly notated repeated or adjacent 8th notes for all ringers. Two score formats in different keys allow full participation according to the bell range available: Score “B” – the 3 (B1) or 3/5 (B2) oct. versions are Level 2- (the 8th note pairs are always within a single ringing position, making them even easier to play). In score “A” for 2 octaves, this is not always the case, making it Level 2 (two ringers might share ringing responsibilities for the two 8th notes within a beat).
Miracle Child-2 (RE7512R) is a reproducible folio (part of the “Sing & Ring” Series), including all these compatible options: 1) Unison lyrics for soloist or congregational singing (2 bulletin inserts: one square, one narrow); 2) Full piano accompaniment (Level Intermediate) – this can also stand alone as a piano solo; 3) Bell Tree Obbligato score (which plays throughout) (Level Easy, C6-C7) - adding a bright, simple counterpoint; 4) L1 score for 2-5 octaves hand chimes or handbells, a chordal accompaniment;
Children's Songs - Volume 1. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. Row Row Row Your Boat, Mary Had a Little Lamb, Old McDonald Had a Farm, This Old Man, Bingo
Sunday School Songs, Volume 2. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. God Is So Good, Jesus Loves Me, The B-I-B-L-E, Praise Him Praise Him, O How I Love Jesus
Christmas Songs 1, Volume 3. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. Jingle Bells, Jolly Old St. Nicholas, Up On the Housetop, Deck the Halls, Joy to the World
Children's Songs 2, Volume 4. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. I'm a Little Teapot, Yankee Doodle, Pop Goes the Weasel, Baa Baa Black Sheep, On Top of Spaghetti
Children's Songs - Volume 1. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. Row Row Row Your Boat, Mary Had a Little Lamb, Old McDonald Had a Farm, This Old Man, Bingo
Sunday School Songs, Volume 2. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. God Is So Good, Jesus Loves Me, The B-I-B-L-E, Praise Him Praise Him, O How I Love Jesus
Christmas Songs 1, Volume 3. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. Jingle Bells, Jolly Old St. Nicholas, Up On the Housetop, Deck the Halls, Joy to the World
Children's Songs 2, Volume 4. The series Ring by Color is a resource for teaching music reading skills using color-coded instruments such as KidsPlay bells, ChromoNotes; chimes, Boomwhackers; tubes or ORFF; style resonator bells. Each reproducible book includes: 5 familiar songs, a Leader Guide for each song, Large Print Chords and Lyrics sheets for each son, a Music Score with chord symbols and lyrics for each song, About the Series which details musical concepts found in each book, Suggestions for classroom use. I'm a Little Teapot, Yankee Doodle, Pop Goes the Weasel, Baa Baa Black Sheep, On Top of Spaghetti
This engaging Latin rhythm pop song with was made famous in 1970 by Santana on their Abraxas album and had been covered by many groups since. This arrangement is straight forward and true to the original work and features the option of eight percussion instruments – including cow bell! – which may be added to your performance. Many well-applied techniques accentuate the rhythms and melodies. This will be a hit with ringers and audience alike!
British singer and songwriter Ted Hutchinson wrote this delightful carol about a cat and a mouse in the stable where Jesus was born and tells this wonderful story with much expression and love. It was recently introduced to American audiences by the Mormon Tabernacle Choir with David Archuleta (American Idol) vocalist. Derek has arranged it for handbells with vocal solo and includes a bit of the songs Love Came Down at Christmas, The Birthday of a King, and Infant Holy, Infant Lowly in this lovely setting. Techniques include Ring, TD, LV, and echo with a few Pl in the low bass. This will be a precious and beloved addition to your Christmas repertoire.
This lively work begins with a Latin feel in the shaker and adds the other four percussion instruments every two measures until the bass bells enter with rhythmic line that continues throughout. The engaging melody is featured in various bell octaves along with treble handchimes. Sections of suspended bells add a wash of color until it all resolves in the original form. The scoring is clean and which works very nicely in featuring the rhythm and melodies. Ringers and audience will be tapping their toes with the Latin rhythm.
Eight optional handchimes, ranging from G5-G6, organ, and brass, offer additional ensemble for this medley of the carols, 'Joy to the World, There's a Star in the East, and O Come All Ye Faithful". The fanfare begins bold and bright before relaxing into a somewhat free section where the chimes enter on the melody. A full texture returns for the final section and ends big. Brass ensemble consists of 2 trumpets, French Horn, Trombone, and Tuba.
Now here's something different! Two dances by Michael Praetorius from the french court of Henry V. Praetorius for bells and optional woodwind quintet or recorder consort. The first, Spagnoletta, is for bells and drum/tambourine. The second, Volte, is for bells and drum. (percussion parts included with bell score). Parts for woodwinds and recorders are available under separate cover.
This setting of the classic Christmas carol includes optional keyboard, handchimes and a narrator. Described as "lingering", this piece presents a thoughtful interpretation. Pay extra special attention to accidentals (lots of them!). An optional repeat is included. Measures total 52.
Get out the lederhosen and the accordian! What fun! This is a medley of German folk songs with separate parts for tuba, bass, drums, accordion, Bb baritone, and tenor sax. By the time your ringers master this frolic, they'll never miss an "oom-pah" rhythm again! 176 measures. Cues for the instruments are included in the handbell score.
The dedication line - "Homage to Henry Purcell" - should give you the characteristic style of this original work, with an available separate score for finger cymbals, hand drum, tambourine, triangle, and timpani. Lots of precise 16th note rhythms propel the music forward and are marked with an assortment of articulations. 104 measures in length.
This vivacious setting of one of the old Christmas favorites keeps all ringers busy with full, rung chords. Syncopation adds a twist, but the pattern is repetitive, thereby making it easier to learn. Multiple techniques add extra excitement. Measures total 100.
Percussion is Conga, Claves, and Shaker. Reproducable vocal parts are on the last two pages.
"Great Is Thy Faithfulness", the timeless hymn by Thomas Chisholm and William Runyan, is given a fresh treatment in this stunning arrangement for 3, 4 or 5 octave handbells with optional 2 octave handchimes by Andrea Handley. Parts for optional keyboard and synthesizer can be added to give the arrangement an even richer and more colorful sound. Arranged primarily in C Major, this piece is 122 measures.
"Invictus" (meaning undefeated or unconquerable) is a tour de force original composition. Moments of struggle, reflection, celebration, and triumph in this piece tell a story throughout this concert show-stopper. With unique and flexible performance options featuring two melodicas, violins, or Bb clarinets, this piece will challenge your ensembles and thrill your audiences.
From the hit movie, "How the Grinch Stole Christmas," this beautiful setting will charm the hearts of ringers and audiences alike. The perfect addition to your holiday programming.
Reverie" may be programmed with two other pieces, "Rhapsody" (RRBL5048) and "Roundelay" (RRBL5048), to create a three movement work entitled "Triptych". A free tempo is scored along with 3 handchimes-- F4, G4, and C5. Martellato lift on bells and vibrato on handchimes combine for an unusual introduction and lead to an open-structured, airy melody and accompaniment. Later sections use mallets on suspended bells and LV technique. "Reverie" is scored in F Major and G Major and is 145 measures.
"Rhapsody" may be programmed with two other pieces, "Reverie" (RRBL5049) and "Roundelay" (RRBL5050), to create a three movement work entitled "Triptych". This movement features a passionately active accompaniment with undulating dynamics and fluid LV passages. 3 octaves of handchimes add their shimmer to the mix. 129 measures long, this work is scored in c minor and Ab Major.
Tammy Waldrop has crafted a beautiful melody into a fitting tribute for a special person – based on Psalm 118:14. She has included optional handchimes and a lovely flute (or other C instrument) part, which is also optional. The Psalm, quoted on the title page, would be great bulletin material when this piece is used in worship. This composition is 76 measures in length.
Michael Glasgow's setting of "Trust and Obey" for 2 to 5 octave handbells and optional keyboard is a refreshing and uplifting approach to a beloved hymn tune. 2-3 octave and 3-5 octave versions of the arrangement are provided in this score and may be played either separately or together. A full score (FS5052) and keyboard part (BP5052) are available separately. Arranged in the key of Bb Major, this piece is 71 measures.
This beautiful hymn (ENGLEBURG) is presented in a very stately arrangement with the handbbells and organ blending nicely together for a strong anthem of worship. It is available with a handbell score and a full score for director and organist. 82 measures in length, it begins and ends in G Major.
Dust off your hammered dulcimer (yes, you read that right) for this delightful arrangement of the great Paul Williams tune from “The Muppet Movie”. The arrangement also works on bells alone or with a keyboard in place of the dulcimer. Pay close attention to the performance notes, which explain several performance options. This setting by Brian Tervo will add a bit of fun and delight to your next performance. 114 measures. Keys of E Major and F Major.
"Three, Four, Shut the Door" is a truly unique original composition by Hart Morris that will take audiences of all ages back to their childhood. Based on part of an old nursery rhyme, the 151-measure piece is written for 5, 6 or 7 octaves of handbells and percussion that includes the slamming of a door. Truly a showstopper!
Red River Gold, the series for advanced ensembles, returns with this offering from the talented pen of Hart Morris. Continuing the nursery rhyme cycle of “Three, Four, Shut the Door” and “Seven, Eight, Lay Them Straight”, this clever arrangement is not for the faint of heart. It will, however, be well worth the work, as it is pure fun for ringers and audience alike. Thank you, Hart!
William Payn is well known in the bell world for his emotive and imaginative original compositions. This offering is no different. Peppered with mixed meter, wide dynamic shifts, special effects, percussion comments, and various musical textures, this 132-measured work speaks to the imagination within all of us. Best performed by advanced ensembles. Percussion is Claves, Snare Drum, Woodblock (I); Bongos, Rain stick (II); Congas, Castanets (III).
Bolero is an orchestral dance composed by Maurice Ravel. He was originally commissioned to write a piece for a Russian ballerina. William Mathis has arranged this piece for 4 handbell ensembles. All ensembles are a necessary part of the piece.
This arrangement of “Oh Holy Night” by Brian Seemann is written for 4-6 octaves of handbells with optional 3 octaves of handchimes and optional belltree. The handbell choir begins the piece and plays the first verse alone, with the standard triplet rhythms and accidentals found in the original. The second verse, marked by a tempo increase, sees the chimes and belltree soloist join the choir, with the chimes playing the melody, the choir providing the harmonic structure, and the soloist rendering a challenging obbligato descant. While the handbell part is relatively straight-forward, the belltree part is not for the faint of heart! However, this is a worthy challenge which will result in a sparkling performance of this much-loved piece. The belltree part is written within the handbell score and also is available separately.
Alive! A jazz and blues arrangement which can be played with handbells alone or any combination of bells, chimes, clarinet, trombone, bass and drums.
Continuous key changes and numerous accidentals keep ringers on their toes in this creative arrangement. Bass bells have the melody in one stanza. An optional unison choir part is printed on the back of the handbell score. Brass ensemble consists of two trumpets, French horn, Trombone and Tuba. Performance notes are printed on the back of the full score. This arrangement is 80 measures.
This arrangement for handbells and optional choirchimes, guitar and percussion is a medley of three Latin carols: "Fum, Fum, Fum (Catalonian), Alegria (Puerto Rican) and A La Nanita Nana (Spanish)". Mr. Morris does a good job of making each carol special through use of different instruments and techniques.
Using the optional percussion,Wind chimes, suspended Cymbal, Tambourine, Timpani, Finger cymbals and Triangle, will add to the enjoyment of this classic Christmas offering. Mr. Sherman has capured the mood of the events surrounding Jesus's birth. The melody travels to different parts of the bell choir as the king's make their journey to Bethlehem. It ends very peacefully as, I'm sure, they stand in awe.
Based on LYONS and ITALIAN HYMN this triumphant setting includes 3 to 5-octaves of bells and optional organ/brass and timpani. The introduction builds intensity over a pedal point and with chromatic, chordal movement. "O Worship the King" then enters in open texture that thickens up later on to a march complete with a snare drum cadence. The next tune, "Come, Thou Almighty King" enters at measure seventy-two and is presented in hymn-like fashion. Would it surprise you to know that the arrangement ends with a big sound? Ensemble consists of two Trumpets, two Trombones, Snare drum and Timpani.
Touches of Baroque/Classic style filter through this original composition by Arnold Sherman. The opening section is light and bouncy, the middle is flowing with LV and echo technique and the final ending states the hymn tune AZMON from whence the title comes. This piece includes a good work out on sixteenth-note rhythms. Set in F Major and C Major, it is 95 measures.
Most fans of Hart Morris spiritual arrangements know they're fun, but also lots of work of rhythms and accidental changes. This arrangement, though certainly not simple, is nevertheless more accessible than others of Mr. Morris. The rhythms are syncopated, but repetitious and sharps and flats do occur, but are not unmanageable with a little work. A separate percussion part for snare and conga or bongo drums in available separately.
Arranger Hart Morris bases this energetic, harmonically suspenseful arrangement on the strong tune LASST UNS ERFREUEN (All Creatures of Our God and King). A separate percussion part is available, with cues for the percussion marked in the ringer/director score. An extended opening section moves through several tonal centers and dynamic ranges before it gives birth to the tune, which is treated in imitative fashion. Arranged in C Major, measures total 104.
Rhythmic energy so well describes the bulk of Hart Morris' work and it stands true in this original composition commissioned for the State Festival 2000 of Arkansas. Optional percussion (timpani and tom-toms or hand drums) moves things along as well as syncopations, staccato technique, martellato and key changes. To some the prairies of mid-America may seem desolate. But, to those who live there they know it is pulsing with life. That's what this piece is all about.
Written for a festival conference, this setting of Camille Saint-Saens Symphony No. 3 includes bells, organ, brass and percussion and should work up quickly. A section of chords in both clefs calls for mart-lifts and adds to the dramatic flare of the work. Sixty-two measures in length. Instrument parts consist of two trumpets, French horn, Trombone, Tuba, percussion, Piano (four-hands). This grand arrangement is 62 measures and is set in C Major.
Calling all handbell soloists! As with the popular first and second volumes, Easy Favorites for the Handbell Soloist, Vol. 3 features some of the best-loved handbell music of Cathy Moklebust arranged for handbell soloist and keyboard accompaniment. Several pieces can be played off the table or with a bell tree and some can be played with only 2 octaves. The soloists's part is included as a pull-out booklet. The keyboard accompaniments are also available on CD which may be purchased separately. Calming Peace, Christ the Lord is Risen Today, Kyrie, On Jordan's Banks the Baptist's Cry, This is My Father's World, Twas in the Moon of Wintertime.
Trumpets, trombones, timpani, voices, and organ join with the bells to present in grand style this beloved hymn of the Savior. Written for a 25th anniversary celebration, it is fully scored in "tall" chordal texture for the bells and strong passages for the other instruments. A vocal score is included in the bell score, with permission to copy the vocal for performance. Brass ensemble consists of two trumpets, two trombones, timpani.
Percussion in NOT optional in this up-tempo setting on this Caribbean carol. Eleven handchimes in the 2-octave range are scored as well, but are optional. This one should be a real crowd pleaser!
Based on "Jesus Loves Me, Jesus Loves the Little Children and Children of the Heavenly Father", this arrangement is for 3-5 octaves and 3 octaves of optional handchimes, optional flute and optional bell choir II (a separate score is available). A random ring with mallets on suspended bells is intermingled with phrases of the first melody. Later, chimes take up the accompaniment as well as choir II.
John Zundel's hymn tune is here set by one of the premier handbell arrangers, Arnold Sherman. Handbells begin with passages of flourish in 16th-note rhythms. The other parts join as well as the vocal choir for a stirring rendition of this beloved hymn. Brass ensemble is 2 trumpets, French Horn, Trombone, Tuba, Timpani.
Percussion is Claves, Bongos, Guiro, Djembe, Conga.
Based on "Catalonian Carol" from the Red River Music Solo Collection by Sueda Luttrell and Arnold Sherman, this advanced piece was commissioned by Houston Bronze Ensemble, Houston, Texas. A worthy challenge in 54 measures, this piece is scored in C Major and D Major.
Hart Morris brings us this fantastic setting of the Burt Bacharach favorite with an arrangement that is sure to become a classic. It works very well with just handbells and the optional handchimes, but adding the optional clarinet, bass, and drums will transform it into a genuine show stopper. Be prepared to do a reprise on this one – your audience will demand it! 54 measures. Key of C Major.
Jimmy Webb's classic, made famous by Glen Campbell, gets the full Hart Morris treatment here, with lively rhythms and plenty of techniques. It still, however, remains true to the yearning spirit of the original. While it works well on bells alone, the addition of guitar, bass, and drums makes this a true show stopper for your next concert. 68 measures. Key of C Major.
Beginning ringers will love presenting this grand piece based on a beloved Japanese folk song. Melody is played in block chords throughout, allowing all to practice good ringing stroke and damping skills. Children may wish to sing with the first verse (text is included). Part of the “Class ring Series” (ring True Handbell Music) which offers carefully crafted concert scores that teach specific skills, making them worthy of classroom time as well. Also compatible with Sakura II (a Level 2 version), Sakura I is ideal to showcase multiple grades in a school program or as an all-inclusive piece in a multi-level Festival setting. 32 measures.
Your ringers and audience will love this upbeat spiritual that surprises with marts and claps in the final section! "Down by the Riverside" is offered in two different 2-octave versions: "A" is Level 2- and "B" is Level 1+, an important distinction in this case. Written for two similar groups with slightly different needs, each version engages ringers in a different way yet offers all a full ringing experience throughout the piece. "B" can be played with as few as 12 bells (6 ringers). "A" can be played with 6 ringers as well, if you have an adept 4iH ringer for C6 up. The bonus piece "A Joyful Day" is a class composition project by Kath's 6th grade handbell class at Redeemer Classical School. The subtitle "Edakafad" is made up of the first initial of each student in the class. They created the melody and rhythms, decided on chord progressions and accompaniment patterns, demanded a section with mallets and loved playing "their" piece. Enjoy!!