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The tune ANTIOCH comes to life in this spirited rendition of "Joy to the World!†for piano and 3-5 octave handbells with optional 3-5 octave handchimes, Level 2. Cascading octaves, handbell techniques, and a supporting piano part creates an accessible and exciting setting for the holiday season.
Many arrangements of this respected and hallowed tune exists for handbells. However, few offer an optional piano score. While this handbell edition is a complete, stand-alone arrangement, adding the optional piano induces a dignity that rightfully honors the saints who have gone before us. At Level 2, all ensembles can enjoy this piece enabling congregations to recall their loved ones in a compelling, musical way. John Behnke’s setting offers a calming reverence which will enhance worship not only on All Saints Sunday but throughout the year. The piano/keyboard score is G-10133INST.
Scored for 2-3 and/or 3-5 octaves of bells, optional organ and/or brass and percussion, this contemplative, plaintive, mysterious work conjures up images of monks in brown robes singing in stone hallways on their way to vespers. It is written in g minor with a definite Gregorian chant quality about it, only a bit more metered rhythmically. Martellatos play an important part in the work, first in appearing only occasionally to emphasize then in a full-fledged passage of mart and mart-lifts. At 132 measures it is a big work, but is accessible to level III choirs. Although the 3-5 octave part will stand alone, the 2-3 octave part will not. Brass ensemble consists of 2 trumpets, Horn in F, 2 Trombones, Tuba, Finger Cymbals and Tambourine.
This bell tree solo or duet arrangement provides the new bell tree soloist with a simple yet effective piece. A second bell tree solo rung by a more advanced ringer or played by a C instrument makes it a duet. The simple accompaniment of quarter, half and whole notes can be played by a beginning 3 octave bell or chime choir or on a keyboard. Included is the Conductor's score, a Bell Tree 1 Score, a Bell Tree 2 or C instrument Score, and a separate score for handbells, handchimes or keyboard to give the beginning ringer a music score which is easily readable in larger print. This arrangement is 51 measures and is scored with a bluesy swing feel in C Major. Options for performance are listed in the conductor's score.
Two L2 ringers in a class of beginners inspired “Four Square” – a Split-Level piece that keeps experienced ringers on their toes playing eighth notes while new ringers learn to ring easy half and whole note chords. The catchy 4-note melody (either from G to C (plus D) or from C to F (plus G)) can be played from a number of scores in two different ranges (“A” for 2-5 oct.in the Key of G - and “B” for 3-5 oct. in the Key of C). If more L2 ringers are included, they can double the melody an octave above or below or play from a score which involves 3 ringers sharing the 4-note melody. Opportunities to ring 3 bells in a single position or 4iH is also noted. As long as all ringers are ringing from the “A” set (or all from the “B” set) of scores, all parts are compatible. A leader or other classmates can play the melody on piano, Orff instruments or recorders, if all ringers need to play from a L1 score – Or write lyrics and sing them as a group while you ring! Add techniques to the chords to help your ringers continue to learn new skills and add some variety. Feel free to adapt these setting to fit your needs. Ringers really love this simple little piece and ask for it again and again, even long after the need for such a piece has passed. Use the sub-title “Fourfold Praise” for sacred [...]
Written especially for the premier handbell ensemble "Ring of Fire," this arrangement is suprisingly accessible for choirs ringing mostly Level 3 repertoire. The Bb trumpet (or C instrument) carries the melody, and therefore is not optional but is integral to the work. Passages of random ringing appear throughout the 138-measure work (which is arranged in C Major) and provide thoughtful reflection.
Arranged for 3 to 5 octave handbell choir and optional 3 ocatves of handchimes. Level 3-. This arrangement of KINGSFOLD can be used as easily during the Lenten season as during Advent with the alternate title O Sing a Song of Bethlehem. At times driving and other times contemplative, this versatile piece will be a strong addition to your choir’s repertoire.
For the Christmas season, this setting for piano and accessible handbells pairs the popular contemporary song with a beloved traditional carol. The piano part is of intermediate difficulty and the handbells are Level 2.
Giovanni Pergolesi's original work has been set here for 3-4 octaves of bells and optional 3 octaves of handchimes and keyboard. The keyboard picks up the sixteenth-note figures while the bells ring the melody backed up by chordal texture. The handchimes part is made up of quarter and half-note chords, however, there are some chords tied across the bar line. Level two pieces with this full sound should be welcome by directors of those choirs.
A few years ago we started publishing arrangements for piano and accessible handbells. These have proven to be very popular, so the series expands with this setting of Hope's most popular hymn. The piano setting is of intermediate difficulty and the handbells are Level 2.
For piano and handbells, here is a dynamic spin on a medley of 'angel' Christmas carols. It features 'Hark! The Herald Angels Sing,' along with snippets of 'Angels We Have Heard On High,' and 'Angels from the Realms of Glory. ' The piano part is of intermediate difficulty and the handbells are Level 2.
Bringing together a beloved hymn with a praise and worship classic, this setting for piano and Level 2 3-5 octave handbells creates an enticing interplay between all the elements. After introducing both selections, the two instruments join together and pair the two hymns in an enchanting back and forth dialogue.
This festive presentation for handbells and piano sets a joyous mood with a flourishing keyboard pattern at the start and then builds dynamically as it progresses. The Level 2 bell part is very accessible and the piano solo shines with color and interest - ideal for worship or concert
Joel Raney captures the essence of Adolphe Adam's beloved Christmas classic in this awe-inspiring, pastoral arrangement for 3-5 octave handbells with optional 3-5 octave choir chimes. With hints of "Silent Night" woven into its fabric, Joel provides an extraordinary combination of these two tunes invoking the blessed night of our Savior's birth. The setting culminates in a powerful final verse featuring a stunning, malleted accompaniment. The optional inclusion of synthesizer, or strings, adds a beautiful underpinning to this level 3 setting. The separate Instrumental Parts contains a Conductor's Score and parts for Synth or Strings
Leroy Anderson introduced this playful composition to audiences by saying he had often wondered what a clock would sound like if, instead of going "tick-tock, tick-tock," it went "tock-tick-tock. " Arranged by Martha Lynn Thompson for 3-5 octaves of handbells, optional handchimes, and incorporating the original percussion scoring for wood block, triangle (alarm clock), cow bell, and wind whistle, this piece has a mixture of stopped techniques (Pl/mallets or TD) and ringing -- all in quick succession. Fun to ring, this easy, Level 2 arrangement is an excellent addition to any concert program
Arranged for 3 to 6 octave handbell choir with 3 to 5 octaves of handchimes. Level 3. Michael Helman’s masterful medley of five popular Christmas carols is sure to delight and intrigue ringers and listeners alike. Varying styles, textures, and techniques keep each tune interesting while providing ensembles a chance to stretch their musicality. A beautiful choice for worship or concert use this Christmas season.
Arranged for 3 to 6 octave handbell choir and optional 3 to 5 octaves of handchimes. Level 3. A sequence of mysterious opening chords give way to a melancholy setting of this beautiful Appalachian carol. A middle iteration of the melody accompanied by malleted bass chords and shifting time signatures provides textural and aural interest before a return to the opening feeling once more. Perfect for a quiet, reflective moment in worship or concert during the holidays!
Written for 3 to 6 octave hadbell choir and optional 3 to 5 octaves of handchimes. Level 3. This original tune by Ron Mallory is based on Exodus 15:11 and features energetic and rhythmic drive throughout. The melody passes between all sections of the ensemble, and the varied techniques will keep ringers on their toes! A great choice for a celebratory moment in worship or concert!
Written by Arthur Sulliva, arranged by Jason W. Krug for 3 to 5 octave handbell choir and optional 3 to 5 octaves of handchimes. Level 3. Combining the well-known hymn by Arthur Sullivan with the famous Trumpet Tune of Henry Purcell, this setting is ideal for ensembles searching for something a little different. After a stately chordal iteration of the hymn, the energy ramps up with malleted bass chords, punctuated with snippets of the Trumpet Tune. As a final verse, the two tunes are played simultaneously, casting each in a new light.
Arranged for 3 to 7 octave handbell choir and 3 to 7 octaves of handchimes. Level 3+. Haunting opening chords set the stage for Matthew Compton’s arrangement of this traditional English folk song. An initial sparse treatment of the tune introduces the melody for those not familiar with it, before the setting progresses in complexity, both rhythmic and harmonic. The piece travels through numerous keys, each time casting the tune in a new light. A true delight for ringers and audiences alike!
Arranged for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Karen Buckwalter’s beautiful pairing of the OLD 100th with the traditional tune JESUS IN THE MORNING is a true joy to experience. Lush harmonies abound throughout, highlighting the delicate scoring of the melody. An outstanding choice to push your ensemble’s musicality to the next level!
Arranged for 3 to 5 octave handbell choir and optional piano. Level 2. This gorgeous setting of GREENSLEEVES and AWAY IN A MANGER is a perfect choice for any service during Advent, and especially Christmas Eve. With options to perform with bells and piano, or with bells alone, the setting is quite versatile, and features all the lush harmonies and touching musical moments we’ve come to expect from Karen Buckwalter. A true gem of a piece! The recording is with the optional piano part played.
Patricia Hurlbutt’s arrangement of the tune ADESTE FIDELES is a fun, fresh treatment in 3/4 time. Arranged for 2–5 octave handbells, this arrangement incorporates techniques such as echoes, marts, and swings to create and build energy. Level II.
Patricia Hurlbutt’s arrangement of the tune LLANFAIR is a joyful and bright Easter selection for 3–5 octave handbells. A variety of textures are used, such as the opening fugal presentation of the tune and the mart accompaniment and rung melody in the lower bells. Exuberant and uplifting, the setting finishes with a grand chordal flourish. Level II.
John A. Behnke’s arrangement of the favorite tune FAITHFULNESS is scored for 3–5 octave handbells. The piece has two sections, one which flows along and the other which is joyfully malleted, portraying God’s unchanging faithfulness and our joyful response to such underserved love. The bass bells will particularly enjoy ringing this arrangement. Level II+.
John A. Behnke’s arrangement of the beloved hymn is set to the tune BACHOFEN and is scored for 3–5 octave handbells. A motive of two martellato chords on beats three and four runs throughout the piece and emphasizes the power of Baptism in our lives, while the addition of the tune JESU, MEINE FREUDE is a wonderful C-minor surprise in the middle as it interacts with the original theme. Level II.
Linda Lamb’s arrangement of the tune GO TELL IT provides 2–3 octave ensembles with an exuberant arrangement of a favorite Christmas spiritual. Filled with stopped-bell sounds, the music will motivate the listeners to tell the good news! Level III.
Jonathan D. Campbell has arranged a medley of three hymn tunes associated with Christ the Good Shepherd, including BROTHER JAMES’ AIR, BRADBURY, and RESIGNATION. Arranged with accessibility in mind, the setting is scored for 2 octave handbells. Several meter and tempo changes provide variety and contrast, while the optional addition of handchimes adds to the gentle nature of the piece. Level II.
Written for 3 to 6 octave handbell choir and 3 octaves of handchimes. Level 3+. The ethereal opening of this original tune by Brenda Austin gives way to a wandering melody of hope underscored by flowing eighth note triplets. A lively and forceful variant on the melody ensues, which propels the piece through to its energetic conclusion. A perfect choice for advanced ensembles in either church or concert setting.
Hart Morris has crafted a winner in this fabulous arrangement of Duke Ellington’s creation. His use of a variety of stopped sounds throughout emphasizes the swing rhythm and underlays the melody, which is emphasized with R, Sk, RT and accented notes, to provide toe-tapping excitement. The addition of drum set adds further energy to this work. This is a must-have for all community and school Level 5 groups.
"Remembering" is an original piece to remember those that have passed away due to the COVID-19 pandemic. It is a Level 2 piece with minimal bell changes and no sharing of bells. The music begins with a tolling bell and a melody emerges which seeks to express the significance of each life lived, including their struggle with this virus. A wonderful selection for All Saints Sunday or for a Memorial service.
Brighten your Christmas concert series with this outstanding piece for Bell Tree - or a ringing duet! Dance of the Sugarplum Fairy, carefully transcribed from Tschaikovsky’s Nutcracker Suite, is a holiday classic that sparkles as a 3 oct. medium-difficult Bell Tree Solo (or handbell duet). A piano accompaniment score (also medium difficulty) is included in the score. Both parts are reproducible by original purchaser. The Bell Tree part requires A5-C7 bells (with optional either D5-G#5 bells or D5-F6 chimes). Rolled chords from piano to ringer mimic the iconic celeste part, however this section can be played entirely by the piano if desired. An optional repeat extends the 1:30 performance to 2:30. As an alternative to the included piano score, a compatible L4 “accompaniment score” using a full 3-5 oct. bell choir (minus B6C7) is also available in a separate folio (RE5010C).
Suzanne Ciani's mesmerizing New Age piano solo is perfectly reinterpreted by LV arpeggios across 5 octaves of handbells with non-stop 8th notes and crashing chords depicting waves. Impressionistic and lush, "La Mer" draws ringer and listener alike into the pulsing power of the sea. Windchimes and suspended cymbal add to the drama. The 5 oct. score stands alone but can be enhanced with additional solo instruments found in the Director's Score (RE8008DR) - each with its own voice: Flute 1 requires a very capable musician; C Instrument 2 (oboe preferred) is slightly easier; Cello/Bass Guitar and a brief stint for acoustic guitar, and a Level 1 Choir II score (for chimes).
Written for 3 to 5 octave handbell choir and 3 octave of handchimes. Level 3. Lee Afdhal’s original work begins with a somber feeling of tension which gives way to a mournful melody of yearning. The middle section drives the piece forward before the return of the opening material, which now has a more hopeful feeling than before. A contrasting coda brings the piece around to a prayerful conclusion.
This original composition is the recipient of the 1998 Donald E Allured Composition Award and had its premiere at the Bay View Handbell Event last August. It is technically challenging, with multiple ringing techniques and constant meter changes. The rhythmic drive is captivating throughout. A must for advanced handbell choirs, and bronze level music at its best!
An original piece by a new composer to the AGEHR catalogue that contrasts major against minor. Echoes, mallet work, and bell peals are used effectively in this very accessible and fun Level 2 piece.
Although given an AGEHR level 2 rating, this piece sounds much more difficult than it really is. Ringers will need to be secure with eighth note ringing. There is a nice mood change in the middle, from G Major to a minor. Overall, this arrangement is an uplifting and exciting arrangement that keeps every ringer busy! Scored in G Major and a minor, it is 72 measures.
This (AGEHR) level 3+ setting reflects the joy of both the tune and the text of this beloved gospel song - "I'm Gonna Lay Down My Sword and Shield. . . Gonna study war no more." The rhythmic feel is that of a gentle, easy swing over a walking bass line, created with the stopped sounds played with mallets, and the customary, occasional syncopations. This piece will stand alone, but the addition of optional B-flat clarinet, bass and optional ad lib drums will add extra color to the texture and enliven the appeal.
The word, Ícaro, means “magic song” in some languages, and ‘magic song’ certainly reflects the creativity of this amazing piece! Beginning in 5/4, the malleted bass line, which was the initial inspiration for this work, establishes the pattern that is present throughout the 5/4 sections. A mid-range melody line enters followed by a higher treble melody that engages all the parts in a melodic, flowing contrapuntal interplay. It then segues to an engaging Latin jazz ‘B’ section written in 3/4 before returning to the 5/4. Rung at Vivo! tempo, this piece requires precise, accurate ringing and damping in order for the clarity of the writing to shine. Ícaro is an amazingly creative work that will be a fun challenge for all Bronze level groups! Ícaro was chosen for Distinctly Bronze-West, October 2022.
Utilizing a 16th Century hymn tune and the tenor aria from "Messiah", this combination is awesome. The level of energy is elevated by the use of the hand drum and the flute. The pace is modified with the contrasting tempo of the aria and then finishes with the previous energetic disposition and varying dynamic levels, driving right to the last stirring chord
Handbell arranger Kevin McChesney brings us Lorie Line's contemporary take on the famous chorus from Handel's “Messiah” in this setting for 3-7 octaves and keyboard. The result is a very accessible arrangement that would be at home in a variety of Christmas services. The piano part is at least of medium-medium/advanced level. Scored in F Major, it is 89 measures in length.
Looking for a unique, creative, challenging new piece of music for your Bronze level group? This original composition from gifted composer Chris Burton is exactly what you need! It is engaging, exciting, and contains a memorable melody line which is developed and revisited throughout the work. Written in 3/4, 6/8, and 7/8, it moves along at a brisk pace and is filled with excitement and zest! A lovely, more introspective section featuring handchimes calmly draws the listener into a more peaceful scene … until … the form and excitement from the beginning reappears and drives onward to a dynamic and powerful ending! There are ample areas for expression and the judicious use of mallets, occasional marts, echoes, and LV will keep each of your ringers engaged. There are so many interesting and surprising elements in this work – you must listen to it to experience it. This fresh, new work will be perfect for your next concert!
This well-crafted, original composition is ideal for a festival, concert, or worship setting looking for a grand and regal statement. Level 2 ringing with many engaging sounds and techniques makes it full of interest, accessible, and fun.
Level 3- • A hauntingly beautiful flute part and an easy-but-effective percussion part for rain stick and chime tree join handbells in this stunning original work. Equally satisfying on three, four, five, six, or seven octaves, the piece does not use any parentheses or brackets. Singing bells add to the New Age air of calm and stillness. This breathtaking, contemplative work is suited for worship or concert. Fans of artists like Enya and Celtic Woman will find even the demo recording appealing for meditation or yoga.
A masterful and heart-felt tribute to the 32 victims and the survivors of the 2007 Virginia Tech shooting, “Through the Storm” personifies the range of emotions felt by all who experience great joy, immense loss and courageous hope. Spanning 3-6 octaves of bells with options for 3-4 oct. handchimes and an alternate bell set (D5-A6), this six minute, Level 4 score seamlessly transitions between contrasting sections, and a simple stark motif recurs.
Level 3 • Based on the early American tune LAND OF REST, this lively and varied arrangement features themes of joy and happiness that are obvious in the introduction and first stanza, with the use of dancing, staccato rhythms. The second stanza is more flowing in style, and the third features a four-part round with flute, cello, optional handchimes, and the singing bell technique. The final stanza is full and glorious and includes a soaring flute descant. Instrumentation: Full Score (CGB 631) and Parts for Fl., Cello, Perc. VIEW PDF: cgb632jerusalem LISTEN:
An eight lesson guide for beginning "seniors" to progress from "basic start" to Level 2 ringing. Published in 1983, one can see the progression from 2 to 3 octave music and treble clef only to a "piano" type of layout. The book is interesting in that Mr. Armstrong really breaks down "learning to ring" into basic units. THIS ITEM IS NO LONGER AVAILABLE.
Starting and ending with an eighth note peal, this arrangement of LOBE DEN HERREN is alive with energy and interesting harmonies. Christian Guebert’s unique musical language presents a great way to stretch your Level 3 ensemble into more challenging territory. Dynamic contrasts, tower swings, and martellato lifts all add to this colorful arrangement. "Glad Adoration" is perfect for festivals, concerts, and festive worship services. 137 measures. Key of F Major.
This masterfully written original piece by Brenda Austin will provide challenges both technical and musical for your advanced ensembles, and an auditory delight for audiences. The unsettled, lyric melody keeps listeners engaged by never falling quite where they expect, a feeling only enhanced by the middle section in 5/4. Unexpected harmonies add to the sense of longing and heighten the tension, which eases but remains unresolved at the last. An absolutely stunning work!
Level 3+ • This delightful and energetic piece will keep ringers busy and will engage both ringers and listeners with a memorable melody and hints of a classical dance. Many techniques are employed, and an all-malleted section adds to the interest. This selection will be an excellent teaching piece, especially for the mastery of handbell techniques. VIEW PDF: LISTEN:
Level 4 • The lovely melody of this original composition was inspired by a poem about angels written by E. Brine. Composed in ABA form, the melody and interesting chord progressions combine to create a hauntingly beautiful feeling of serenity. The optional handchimes also provide melodic contrast with a light, malleted ostinato in the treble bells and later reinforce bass notes during the echoes. After modulating to a new key and returning to the original theme, the piece brings the listener to a soft, peaceful conclusion.
A delicate, ethereal opening gives way to a forceful, driving melody that travels through various moods and keys as it builds in intensity. The addition of the optional orchestral chimes gives an extra bit of timbral interest. This exciting work is a great choice for the advanced ensemble looking for something unique! Level 5, 4-7 Octaves. VIEW: https://bpifiles.com/PDF/HB715-Outburst-PREVIEW.pdf
This spirited piece for bell tree and handbell choir does not require any duplicate bells; in fact, much of the handbell choir part is played on chimes. A winner of the 2021 Into the Forest Bell Tree Composition Contest, "Air and Hornpipe" is perfect for a level 2 to 3 choir and a bell tree ringer with basic bell tree experience desiring a bit of a challenge as it is recommended that the bell tree part be memorized. Several adjudicators remarked that this piece is "fun to play!" while another noted that it would be a "great festival opener." Note: A non-reproducible bell tree part is printed at the end of the score; please purchase an additional copy for the bell tree ringer to use for practice.
An optional random ringing processional followed by a level 2 piece with optional parts for two trumpets and a drum. It can be performed in any combination.
Level 3 • Filled with energy, this original composition will keep ringers busy and engaged. The upbeat opening section utilizes syncopation, malleting, and martellatos. A slower, contrasting middle section employs handchimes and lyrical melodic material. The piece concludes with a return of the opening tempo and themes with additional techniques including mallet clicks.
Written in a classical style but with a contemporary sound, this lively original that is sure to be the highlight of any concert! Rated Level 4, some may find this offering from the Raleigh Ringers series for advanced choirs more accessible than others in the series. It may take a little extra work, but it will be well worth it! Scored in a minor, it is 98 measures in length. LISTEN:
This creative and fun arrangement of the familiar spiritual begins with mallet clicks that set the tone for the piece. The melody appears over a rhythmically malleted bass line with a bit of a blues or jazzy feel. Lots of syncopations make this a learning opportunity for most Level 2 groups, but the end result will be a fun piece for concert or worship. Optional Percussion, FREE: JMG1249_Jesus_is_a_Rock_Percussion WATCH AND LISTEN: https://youtu.be/euLR_3TclBk
Inspiring, stately, dignified yet playful, intensely rhythmic with flourish and pizzazz – these are all ways to describe this high-level work by Alex Guebert. Painting the fiery picture of the Pentecost story, “Tongues of Flame” is a "spirited" show-stopper!
In true Sandra Eithun style, the traditional English carol receives a setting that is warm, sensitive, beautiful, and expressive. At Level 3+, this is one of the more accessible titles in the Raleigh Ringers Series, but great care must be taken in order to present the musical performance the piece requires. Primarily scored in f minor, this piece is 102 measures.
This stately hymn expresses the joy and confidence we have in the atoning death of Christ on the cross. With few bell changes and no hard rhythms, this Level 2 arrangement will come together quickly. Steady tempos bring out the melody, especially the "low melody" in measures 36-43. VIEW: 2663 LISTEN:
3 or 5 octaves o General or Reformation o Level 4 o Both the rhythmic and metrical versions of the tune EIN FESTE BURG are utilized in this fast, lively, and very unique arrangement. Repeated LV patterns in the upper treble bells accompany the rhythmic version of the tune in the middle and lower range bells. Then the piece switches to a fun, malleted bass line that accompanies the melody in the upper bells. The LV pattern returns in the upper bells, while the middle and lower bells present the metrical version of the tune with large, full chords. The malleted bass line and rhythmic melody in the treble take the arrangement to a surprising close. The techniques included are mallets, thumb damp, and LV. PREVIEW: A Mighty Fortress
Sandra Eithun has arranged an impressive free form variation of this hallowed German hymn. Her imaginative use of chimes with bells presents an engaging musical fantasy. This level 2 edition provides ensembles the opportunity to hone their skills while providing an enriching experience to the listener. LISTEN:
Level 5 • This march, written in 1888, takes its title from the motto of the U.S. Marine Corps: Semper Fidelis – “Always Faithful”. The first performance was in the Inaugural Parade for President Benjamin Harrison when John Philip Sousa was the Conductor of the U.S. Marine Band – “the President’s Own”. This challenging piece will stir the patriotic pride of both the ringers and the audience alike. Instrumental parts for optional percussion (timpani, snare drum, bass drum and cymbals) are included in the full score. (CGB 662) VIEW: Semper Fidelis
Written for 5 to 7 octave handbell choir and optional 3 octaves of handchimes. Level 4. Propulsive eighth notes underscore a primal melody of moving parallel fourths before passing on to a beautiful melody on handchimes. A short chromatic interlude then gives way to a setting of the first theme accompanied by triplet eighth notes before returning to the opening feel and a triumphal conclusion. A fantastic choice for any time you want to add a bit of mystery and intrigue to your concert or church service. PDF PREVIEW: A FESTIVE TOLL
"Festivity on Cwm Rhondda" is a jubilant level 3+ handbell setting for 3-6 octaves. It is based on the Welsh hymn tune CWM RHONDDA, which is commonly associated with the texts 'Guide Me, O Thou Great Jehovah' and 'God of Grace and God of Glory'. After a fanfare-type opening, the first stanza features an optional unison vocal part. Either text may be sung by ringers alone, congregation/audience alone, or everyone. This joyous setting is suitable for concerts, festivals, and church services. VIEW: CGB1247 LISTEN:
Sondra has created this delightful arrangement of a favorite Jamaican folk tune. It is accessible for level three groups, yet will be great fun and a delightful addition for use in concerts with more accomplished ensembles. Excellent use of stopped sounds, shakes, and handchimes, accentuates the lively rhythm. Directors may want to include part or all of the optional percussion. LISTEN:
This up-beat work will introduce beginning ringers to techniques including martellato, echo, martellato lift, and LV. In keeping with the level-one rating, there are no bell changes in this piece. Both editions of this work, 201731L for 2-3 octaves and 201732L for 3-5 octaves, are compatible, making it an excellent choice for festivals. 76 measures. Key of C Major.
Several different performance options are given for this selection from "Solomon" Act III, Entrance of the Queen of Sheba by G.F. Handel. Arranged for 3-6 (optional 7) octave handbell choir, with optional second handbell choir of 3-4 octaves (HB270A) or two C instruments (HB270B). Level 5. Original music by G. F. Handel. This transcription was originally for the Raleigh Ringers. Lots of sixteenth notes and a quick tempo make this a worthy challenge! A total of 89 measures, this piece is scored in Bb Major. VIEW: hb270-allegro-from-solomon-fs
Sandra Eithun's ethereal Level 2 setting of "Amazing Grace" artfully employs the Singing Bell technique. Set for three, four, or five octaves of handbells, this arrangement is equally at home in a worship, concert, or festival setting. It is 80 measures and is scored in F Major.
Selected by the Handbell Musicians of Canada as the Canadian Composition for the 21st International Handbell Symposium (August 2024) in Hamamatsu, Japan. Winner of the Handbell Musicians of Canada International Symposium Composition Competition. This ‘tone poem’ (mood sequence) is a series of musical themes describing a quest for peace: anticipation, a vision, apprehension or angst, grandeur, reflection, returning to the vision and ultimately, resolution and peace prevailing. These sections flow seamlessly from one to the next and are identified in the score. Mallet, Sk, LV, TD and more add to the interest and emphasize rhythms and dynamics. This is a very creative work which contains lovely melody lines while adding unexpected yet very appropriate and satisfying elements throughout. An optional percussion score will further enhance this work. It could be appropriately be classified as a work of 21st century contemporary classical music. It is easily rung by a solid Level 3 group and is appropriate for both worship and concert. WATCH AND LISTEN: https://www.youtube.com/watch?v=KUYc7q9G6b8
Stunning and ethereal, this original masterwork explores the vastness of the universe in 3 distinct sections, informally titled “Let There Be Light,” “Space Cowboys” and “The Great Expanse.” A welcome addition for advanced Bronze level repertoire as each section offers a different challenge in technique, chromatic work and interpretive skills. The longer performance time enhances a concert, giving the audience ample time to immerse themselves in this mermerizing world of swirling space. Originally published by GIA, this reissue features a few minor tweaks (but is still compatible with the original score), and it also includes the option to play the composer’s original uncut version of the chime section (“The Great Expanse”) which adds another 30-45 second to the performance. Commissioned in honor Beth Ann Edwards, the opening theme features her initials: B-A-E. Based on Hebrews 1:2 and subtitled“Rhapsody in Am,” “All Time and Space” is a majestic addition to any performance. Part of the True Music series from ringTrue, featuring well-crafted music for concert, festival and worship. 120 or 136 measures. 6:00-6:45 minutes performance time. LISTEN:
This wonderful setting of the favorite hymn tune ANTIOCH is introduced with the melody framed by singing bells while handchimes in the 6th & 7th octaves randomly ring, suggesting twinkling stars. This is followed by a rhythmic section featuring the melody accompanied by 16th note LV passages and mart/mart-lift rhythmic patterns in the bass. The excitement continues with a change in the rhythm creating energy that builds to the end. Optional synth/keyboard (warm pad) is suggested while the addition of Cajón will add another level of listening pleasure to this delightful arrangement. 66 measures in the key of C Major.
The A-section of this composition is an easy Level 1, using a quarter note melody, printed in red, against dotted half notes. The melody in the B-section has some repeated eighth notes as well as several eighth-note arpeggios, thus classifying the composition as Level 2. Scored for 2 octaves with one optional A6, this piece is viable for 8 ringers, with or without access to an A6. The title "In the Mist" makes this composition a good candidate for chimes. Key of D Major. 61 measures.
The publisher rating on this folio is Level V, but Level III choirs should be able to do a good job with a little practice. (The rating system is only a general guideline - some pieces defy rating!) This arrangement of the spiritual is upbeat and fast and syncopated. Few techniques or bell changes allow the ringers to focus on the syncopated rhythms and exuberant tempo. Part of the "Resounding Faith Series", this piece is set in Bb Major and is 64 measures in length.
For those choirs just venturing beyond level I literature, this simple setting of the Welsh hymn tune is a good choice. The first 23 measures are in simple "level 1" rhythms. The next section adds a few measures of running, staccato bass line. Later, a repeated pattern of eighth notes appears in chords. 65 measures in length and very accessible. "Resounding Faith Series".
Although the rating on the cover says level four, it is actually a level two-plus. An exciting piece to open a concert or worship service, this original is stately, triumphant, and bold. The bells (2 to 3 or 3 to 5-octave version both in one folio) shake tall chords in response to the organ's pronouncements. Twenty-three measures.
This level one piece offers high musical quality and yet remains easily accessible. Level two ensembles and higher can use it to hone their skills and improve their phrasing and overall musicianship. Note values are fairly easy and the piece is arranged in C Major. Measures total 60.
Bill Ingram continues the popular level one series with five attractive spirituals: STEAL AWAY - GIVE ME JESUS - NOBODY KNOWS THE TROUBLE I'VE SEEN- ROLL, JORDAN, ROLL and WE ARE CLIMBING JACOB'S LADDER. One or two move into the level 1+ rating, offering good teaching opportunities while providing satisfying ringing experiences. These will be useful for school, church or concert venues.
3, 4 or 5 octaves, Christmas, Level 3+, This sparkling arrangement of a traditional Christmas carol is perfectly suited for both Advent and Christmastide, and makes a bright and cheerful addition to concert and festival repertoire as well. With minimal bell changes, the piece is easy to learn for an intermediate-level choir. The martellato lifts and trills add bounce and drive to this infectious tune.
2 or 3 octaves (Handbells or Handchimes) • Level 1/1+ • This reproducible collection is an invaluable tool for teaching the classics to ringers of all ages. It includes level 1 and 1+ reductions of familiar classical pieces by six different composers. The collection features composer pages with biographical info and pictures, helping ringers to become familiar with the composers as well as their music. Teaching helps for directors are also included. The collection will be an excellent resource in both schools and churches. Raindrop Prelude Op. 18, No. 15 Chopin, Pavane- Ravel, The Great Gate of Kiev from Pictures at an Exhibition - Mussorgsky, Musette from Third English Suite - Bach, Allegro Moderato in C Major - Haydn, Allegro from Eine kleine Nachtmusik - Mozart
Arranged for 3-5 octave handbell choir or handchime choir. Level 1. This set of two level one arrangements is a perfect choice for a youth or beginning choir, or for a more advanced ensemble down a few ringers. Available in both 2-3 (BE 685) and 3-5 octave compatible editions, these settings of “O Come, O Come Emmanuel” and “Silent Night” are simple, yet harmonically rich and complex despite having no bell changes. Perfect for a Christmas Eve service, or any time during Advent.
Kevin McChesney continues the popular Level I "Ring Together" series with this versatile collection of tunes for all year long. This series features no page turns and techniques that level I choirs can execute. Church's One Foundation, Now Thank We All Our God, Jesus the Very Thought of Thee, Let All Mortal Flesh Keep Silence, O Waly Waly
Kevin McChesney continues the popular Level I "Ring Together" series with this versatile collection of tunes for all year long. This series features no page turns and techniques that level I choirs can execute. Church's One Foundation, Now Thank We All Our God, Jesus the Very Thought of Thee, Let All Mortal Flesh Keep Silence, O Waly Waly
Contemporary music. There are seven Level 2s and one each for Level 2-, 2+, 3- and 3. Eleven great pieces for the cost of 3 makes this a real budget stretcher. Give Thanks (Arr. Geschke), Thy Word (Arr. Geschke), Shine Jesus Shine (Arr. Bettcher), Come Now Is the Time to Worship (Arr. Wagner), How Great Is Our God with How Great Thou Art (Arr. Bettcher), The Power of the Cross (Arr. Bettcher), Lord I Lift Your Name on High, Everlasting Go with Majesty, Awesome God with Almighty, We Bow Down with Great is the Lord, Bind Us Together with Open Our Eyes Lord.
This Level 1 arrangement of the hymntune DUKE STREET is full of life and energy! Written for eight handbells between F5 and F6 with no bell changes, it can be played by anywhere from two to four players, and as a Level 1 arrangement, it's perfect for beginning ringers or duet partners just learning to ring four-in-hand. Make a bold statement of faith with this uplifting selection! REPRODUCIBLE!!! VIEW ONLY: wtmkJesus Shall Reign 8 bell Purchase of this PDF entitles original purchaser to make as many copies as necessary for purchaser's sole use. Permission is also granted to broadcast or live stream performances.
This Reproducible! collection is perfect for those times during the Christmas season when you have limited ringers. Cold December Flies Away, Curoo Curoo, He is Born, I Wonder as I Wander, O Tannenbaum, Still Still Still, Twas in the Moon of Wintertime
Excellent selection for Christmas and Epiphany based on the hymn tune Ermuntre Dich. Use of LV technique and interspersing handchimes with the bells is captivating, but the use of the C instrument will set this piece above others.
G. F. Handel's masterpiece resounds in this setting for bells and organ or brass. Full chordal ringing with various techniques call for precision throughout the work. A more flowing section for bells only occurs highlighted by thumb damps in upper and lower registers. Brass ensemble consists of 2 trumpets, French Horn, Trombone, Tuba and Timpani. Set in the keys of D Major and b minor, this work is 76 measures without repeats.
This work is a humorous selection using an ostinato pattern throughout much of the music. It is written so that ringers leave during the last section concluding with the last chord played off stage.
This short, easy medley effectively captures the mystery and wonder of the season of anticipation.
Familiar Advent hymn tunes announce the promised coming of Our Lord in a bold and spirited style. Thumb damps and shakes dot the landscape in this relatively easy setting that would be appropriately programmed as a prelude, introit or offertory.
Celtic harmonies and expansive scoring provide a fitting backdrop for two familiar Advent hymn tunes.
Tunes associated with the hymns "Rejoice, Ye Pure in Heart" and "Rejoice, the Lord Is King" are scored with confidence and flair. Most of the ringing is on the beat, with only a few easily executed bell/chimes changes.
One of the all-time best-selling titles in the catalog reaches an even wider market in this expanded new edition. Simple lines of counterpoint and introspective harmony adorn this cherished, centuries-old tune.
Here is Handel's wonderful theme and variations from "The Harmonious Blacksmith" arranged by noted conductor William Mathis.
Beginning with a single fragment of the melody and a faint echo of Alleluia, the work builds through two modulations to a glorious finale set to enliven and inspire the spirit of worship in the hearts of your congregation. Remarkably easy to put together.
A fine setting of a fine hymn for the rising handbell choir. Moderate tempo quarter, half, dotted half, and whole notes; all straight ringing except for six martellato chords, three martellato-lift chords, and one Sk; and few dynamic changes all combine to make this a practical and useable number for any group for worship or concert.
Set in G major throughout, this favorite Palm Sunday hymn tune musically brings to life all of the spectacle and pageantry of Christ's ride through the streets of Jerusalem. Special techniques include: mallets, echo rings, shakes, martellatos and martellato lifts. A thrilling offering from a trusted writer.
Match your brilliant, exciting performance needs with this energetic and bold arrangement.
Solidly scored, this well-written medley is easy to master, yet impressive in its presentation. The bell changes are minimal, with just a few accidentals used throughout.