Christmas Song
The Mel Torme' 1940's Christmas Classic The Christmas Song as arranged by Douglas Wagner for 3-5 octaves has a new "twist" with the addition of bass and drum. Try it - you'll like it
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The Mel Torme' 1940's Christmas Classic The Christmas Song as arranged by Douglas Wagner for 3-5 octaves has a new "twist" with the addition of bass and drum. Try it - you'll like it
Combine organ and trumpet with your bells for a festive performance of this grand tune. A rhytmic variation on the last stanza provides contrast to the traditional rhythms. Trumpet part is in full score.
This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on "Old Hundredth" provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
In this contemporary bell setting Raney has captured the flowing, graceful style of Chris Rice's praise ballad for 3-5 octaves, with an optional Synth part. The theme of Jesus being ever present and offering comfort and hope in every circumstance is the inspirational message behind the song, making this useful in any worship setting
This composition comes from the French Canadian composer, Andre Gagnon, known for his fusion of classic and contemporary styles, and is set here by Manami Takada, our newest arranger from Kanagawaken Japan. The setting is for 4-5 octave handbells with an option to add a separate 4-5 octave handchime choir or synthesizer. The gentle melody creates an emotionally appealing musical offering and this expressive, straightforward setting is sure to find its way into many worship and concert programs.
The 'contemplation' section of this arrangement evokes the sedate mood of many of the hymn texts with which it is associated; the random ringing, singing bells and mellow tone of the handchimes all contribute to the soothing effect. The 'dance' section introduces a more celebratory mood, with a quicker tempo, featuring the use of mallets, Ring Touch and Martellato techniques plus optional hand drum. In addition a Flute part which enhances both sections may be added
This festive Cynthia Dobrinski setting of the powerful hymn tune Diademata has several performance options: 3-5 octave handbells with organ, Handbells with brass sextet, Handbells with organ and brass sextet, Handbells with organ and trumpet/timpani, Handbells with all of above and congregational/choir singing the hymn
For the Easter season, here is an effective, rhythmic setting of a Joel Raney hymn setting that has been newly transcribed for handbells by Arnold Sherman. With a tempo marking of Con brio, you can imagine the energy and joyous character for which this hymn has been treated. An optional trumpet part is provided for festive occasions
Rhythmic drive and energy prevail throughout this exciting Peggy Bettcher arrangement of "Everlasting God," a popular Brown and Riley contemporary praise song whose text is based on Isaiah 40:28-31. The setting incorporates syncopated sections along with a variety of handbell techniques including thumb damps, martellato lifts, shakes, and malleted and LV sections. The Rhythm packet contains parts for Guitar, Bass & Drums
H. Dean Wagner's Fantasy on Kingsfold has been a "best seller" in the Agape/Hope catalog since its publication in 2000. For the first time, it is now available with a full orchestration provided by Michael Glasgow. This dynamic setting, which is based on an old English folk tune, moves from intimate to majestic with colorful harmonies and the optional use of handchimes. For worship or concert, this is a tried and proven winner. The Orchestration includes a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Cello, Double Bass and Keyboard String Reduction.
This Arnold Sherman original is for 3-6 octaves of handbells with belltrees and optional organ, or brass quintet. The seventh degree of the major scale is lowered consistently throughout and combined in thick, block chords, creating an exciting effect. This truly majestic presentation is ideal for any festive worship service or concert occasion.
A festive piece as versatile as your imagination!Use many combinations of bells, organ and brass. The bell part is easy and can be rung as a processional. Brass ensemble consists of three trumpets, two trombones and Tuba.
Set in a grand processional style, Festive Praise is a simple, yet exciting introduction and accompaniment to the St. Anne melody using 3-5 octave handbells with organ. Commonly associated with the text O God Our Help In Ages Past, this arrangement provides variety through new harmonizations along with a change of meter for the third verse. The optional addition of trumpet makes this ideal for any festive occasion. For 3-5 oct. handbells & organ w/opt. Trumpet OR 3-5 oct. handbells & brass quintet. The quintet parts include a brass conductor's score and parts for Trumpet 1 & 2, French Horn, Trombone & Tuba
Arranged by Cathy DeRousse and adapted by Kevin McChesney, here is a dynamic presentation of this festive hymn for 3-5 octave handbells with an optional part for either 3-4 octave handchimes, violin, or flute. With minimal bell changes, this arrangement of the hymn tune LOBE DEN HERREN is easily learned.
Christian concert pianist, Linda McKechnie, has taken several of her arrangements for piano and organ and adapted them for handbells. One of these is Go Tell It On The Mountain Medley in which she blends together the title tune as well as the French Carol, He Is Born with Prokofiev's "Troika" from Lieutenant Kije Suite. And what a combination it makes
A winner in anyone's book. Optional brass and timpani with separate score available. Brass ensemble consists of two trumpets, two trombones, optional Tuba, Timpani.
In this arrangement, John Stainer's beloved choral rendition of John 3:16 has been set for handbells with optional chimes OR a 2nd handbell choir. In this arrangement, John Stainer's beloved choral rendition of John 3:16 has been set for handbells with optional chimes OR a 2nd handbell choir. The selection(s) is ideal for festivals and other multiple choir events. Item MHP2201 will stand on its own.
One of the great hymns of the church has been set here by arrangers, Janet Linker and Jane McFadden for 3-5 octaves for bells and organ. Thomas O. Chisholm and William M. Runyan wrote Great Is Thy Faithfulness in the early 1920's and it has been a classic ever since
This powerful setting of the beloved hymn "To God Be the Glory" opens with a fanfare featuring driving rhythms, and full, rich harmonies which lead to a triumphant finish. The optional organ part adds extra depth and breadth to this striking, creative arrangement
A versatile arrangement for bells and organ, bells and voice, or a solo instrument plays the descant on third stanza, etc. A separate handbell score is available.
"Hallelujah for Handbells!" should be the cheer for this transcription of G. F. Handel's classic choral for 3-5 octaves of bells and keyboard. "Hallelujah for Handbells!" should be the cheer for this transcription of G. F. Handel's classic choral for 3-5 octaves of bells and keyboard. The score is thick and busy, but the keyboard part takes the brunt of the 16th notes, making this easier to work up for that special service or concert.
Stemming from the 1944 motion picture release, Meet Me in St. Louis, this Christmas classic was first introduced by Judy Garland and has been a blockbuster ever since. Brimming with charm, this setting features a subtle bolero style rhythm for 3-6 octave handbells, along with 3-5 octave handchimes, and optional synth and percussion.
Here is a simple, bright 'ring and sing' setting of the familiar French carol, "He Is Born. " This ever-popular Christmas title shimmers with joy, and comes with a number of performance options. Both the SATB and Two-Part setting can be accompanied by keyboard or handbells. For handbell choirs there are separate 3-octave and 5-octave arrangements. All the settings are completely compatible with each other providing ample opportunity to involve multiple choirs and groups in your Christmas celebrations
For bells and keyboard. An easy piece ideal for worship or concert.
Traditionally known as Psalm 19, this arrangement is true to the organ score. Use bells alone or add optional trumpet or C instrument.
This nostalgic sacred song is filled with charm and the delightful sounds of the sparrow. The optional parts for handchimes, flute, synth and percussion add a great deal to the presentation. This is a delightful reminder that God takes care of even the smallest in creation: "his eye is on the sparrow, and I know he watches me.
This 17th-century tune (Nicea) and text were both written in confirmation of the Trinity and, therefore, most appropriate for Trinity Sunday but has been a favorite for use in the opening of worship at anytime of the year. Lloyd Larson's 3-5 octave setting with optional trumpet presents Nicea in appropriate attire
Hosanna" is an enhanced edition of Betty Garee's original arrangement, which includes additional performance options that were not offered in the original publication. Performance options include: two bell choirs, one bell choir and one handchime choir, keyboard and handbells or handchimes, brass quartet and handbells or handchimes, SATB choir with any of the above options, All parts except the brass (Code 2302B) are provided in the score. Suitable for Advent or Palm Sunday, as well as massed ringing.
Combining handbells, keyboard and chimes, Janet Linker and Jane McFadden have created a contemplative arrangement of this lovely Natalie Sleeth tune. The introduction features bells and piano antiphonally. Handchimes introduce the hymn melody with quiet accompaniment. The second verse has more motion with the hymn melody in octaves. The antiphonal theme returns and leads into "Amazing Grace" with chimes on the melody. After a modulation to C major, the final statement of "Hymn of Promise" returns as a handbell solo and crescendos with piano to a brilliant climax.
Natalie Sleeth's original SATB choral setting is also known as "In the Bulb There Is a Flower". The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final "victory" stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.
This versatile setting of the tune DUKE STREET by Cynthia Dobrinski features both the Easter text and the alternate text "Jesus Shall Reign" for general occasions and Christ the King Sunday. Accompaniment can be provided by organ and/or 3-6 octave handbells with opt. handchimes and B-flat trumpet. The bell setting stands alone with or without voices. The organ accompaniment is included in the choral score.
Play this hymn arrangement with bells and organ and brass as well as combinations thereof. Brass ensemble includes trumpet I & II, trombone I & II, optional tuba, suspended cymbal and timpani.
In this ring & sing setting by arranger, Arnold Sherman, the beauty and simplicity of Laurie Klein's ever-popular praise song is perfectly captured, as he combines it with the classic hymn "My Jesus, I Love Thee. " Accompaniment may be provided by 3-6 octave handbells or simply piano. The separate bell score serves as a complete stand alone handbell setting
This hymn text, written by Gloria Gaither, captures the experience of forgiveness and love with positive, resolute words of commitment, which are perfectly matched with Jean Sibelius' stirring tune Finlandia. Arranger Lloyd Larson's straightforward choral setting with piano accompaniment builds to a mighty ending, portraying the power and glory of God.
Arranger Brian Childers utilizes an expressive theme and variation form in his setting of this beloved African-American spiritual, offering several portraits of the Christian walk -- each represented by various bell techniques and instrument combinations. The optional C instrument and percussion parts provide sparkling companions for the journey. The separate Instrumental product contains the Flute/Violin and Percussion parts (rain stick, windchimes and suspended cymbal)
From Felix Mendelssohn's "Elijah," Arnold Sherman has taken the stirring tenor aria, "If with All Your Hearts," and arranged it for SATB choir and keyboard with optional 3-5 octave handbell accompaniment. This memorable melody creates a suitable musical offering for worship or concert. The handbell setting may also be performed alone, without voices
Combining 3-5 octave handbells with optional keyboard, this is a festive presentation from the opening chords to the final cadence. Choirs will enjoy the interplay between the two instruments as they work together to breathe new energy into this classic hymn
Bringing together a number of familiar carols this Christmas medley combines piano with 3-5 octave handbells in a powerful back-and-forth dialogue between the two instruments. This is the second setting from Joel for piano and bells following his best-selling "Thine Is the Glory," code no. 2713
With this most beloved Christmas Carol arranger Arnold Sherman gives us "new dimensions" in handbell music. Arranged for 3-5 octaves of bells with optional choirchimes the following options are possible: 3-5 handbells alone; 3-5 octave handbells and 2-3 octave choirchimes; 3-5 octave handbells and 2-3 octave handbells; 3-5 octave handbells and a second choir playing a combination of bells and choirchimes
This fun, fresh handbell piece features percussion to add to the charm of the traditional Jamaican folk tune. Set for 3-5 octave handbells, Behnke's arrangement incorporates several dotted rhythms to solidify the Caribbean feel
Your need for program building and variety in this year's Christmas concerts will declare this piece irresistible. Set in an appropriate relaxed but strong rhythmic style and with added bass & drum your toe-tapping audience and your ringers will delight with your choice of Jingle-Bell Rock
Joel Raney draws from his jazz roots for a new rendition of this classic Christmas song for 3-5 octaves handbells with optional 3-5 octave handchimes and percussion. The addition of the synth and percussion instruments (triangle, wind chimes, conga or hand drum) further enhance the jazzy flavor and overall effect, ensuring this to be a highlight of your Christmas concert
A flashy, antiphonal fanfare between bells and organ sets up the entrance of this Handel/Mason favorite carol. A flashy, antiphonal fanfare between bells and organ sets up the entrance of this Handel/Mason favorite carol. The text is printed in the director's score to assist with the directing of congregational singing. One stanza is accompanied by handbells only followed by an interlude on the organ. An optional soprano descant adds excitement on the final stanza and brass and timpani spice things up throughout. Brass ensemble consists of 2 trumpets, Horn, Trombone, Tuba, Timpani.
This festive, versatile arrangement, may be done with organ and handbells or with handbells and almost any combination of string and/or wind instruments. Albert Zabel's setting provides a great deal of rhythm vitality, and incorporates a variety of inventive ringing techniques
Linda McKechnie again successfully combines classic Christmas with classic repertoire in this combination of Handel's "Joy to the World" and Marcello's "Psalm 19. "Full orchestra parts are available from the arranger. The score texture is full and vibrant and expends the energy all the way through its 42 measures. C instrument part is in the handbell part (last page).
Combine arranger Dobrinski and Beethoven's Ode to Joy and you have a triumphal setting that combines several instrument groups and even a choral descant. Useful in any joyful occasion but especially Easter. Brass Sextet consists of 3 trumpets, 2 trombones, Tuba and Timpani.
From Arnold Sherman, here is a new ring-and-sing setting of the beloved hymn, "Just As I Am," suitable for Lent, communion, evangelical and general worship services. The accompaniment can be provided by piano or 3-5 octaves of handbells. Available separately, the bell accompaniment, stands on its own as a 3-5 octave setting for handbell choir.
Lady Gaga's first mega-hit with its catchy chorus and exciting rhythms is sure to appeal to any handbell ensemble, especially the youth ringers. The malleted bass adds the backup to the melody that will sound true to the original in a smaller (3 octave) group or larger (4-6 octave) ensemble. The addition of the optional rhythm parts (or CD accomp. track) really brings Keith Richard's setting of this pop sensation to life. Rhythm Parts: Guitar, Bass & Drums
With minimal bell changes and the support of the piano accompaniment, this is easily learned and a powerful presentation for the Lent and Easter season.
This delightful presentation of this well-loved Christmas song is a dynamic fully developed setting that is perfect for Christmas concerts in schools, communities, and churches. The optional parts for synth and percussion add nuance and festive charm. . . pa-rum pum pum pum
The world of handbell music continues to expand and reach an ever-broadening audience as composers find new ways to combine handbells with other instruments. This spellbinding setting from Joel Raney does just that by combining a synthesizer string pad with handbells and handchimes. The blending and weaving together of these musical elements, creates a unique, hypnotic mood, sure to captivate the listener
Sebastian Temple's beloved choral prayer, immortalized in its performance at the funeral of Princess Diana, was arranged by Douglas Wagner for 3-5 octaves of handbells and was a top-seller in our catalog. Doug has adapted his elegant setting for SATB choir with keyboard or handbell choir accompaniment. With its eternal message of hope, love and peace, you will find yourself turning to its universal theme on many occasions throughout the church year
Published in 1988, this original choral piece has a piano or handbell accompaniment. The handbell parts come in a 3 octave score (1314) or a 4-6 octave score (1988).
A great arrangement of this loved hymn for organ & bells. Optional Brass ensemble includes three Trumpets, two Trombones and Tuba.
Rhythmic drive and energy prevail throughout this popular, praise song arrangement. The sixteenth-note repetitions in the opening sections of the piece are easy to execute, as is the dominating malleted bass pattern that enters at the end. Optional parts for electric guitar, electric bass and drum kit support the contemporary flavor
Fanny Crosby's hymn text, "Near the Cross," is a meaningful, devotional prayer that is especially useful for the Lenten season or communion service. Joel Raney captured its spiritual essence in a piano solo that Arnold B. Sherman has now adapted for 3-5 octaves handbells and 3 octaves of optional handchimes. The addition of strings (Violin 1 & 2, Cello or Synth)added by Joel Raney, makes this an enthralling musical experience
Written for a wedding, this arrangement from the keyboard-bell duo team is grand and glorious. Scored for bells and organ OR brass, this piece gives the bells the bulk of the work with lots of staccato technique and full strokes. Great for any occasion of thankfulness! Brass ensemble consists of 2 trumpets, Horn, 2 trombones (substitute one for Horn), Tuba, Timpani.
A second of Linda McKechnie's adaptations is O Come All Ye Faithful which combines this Christmas carol with J. S. Bach's, Sheep May Safely Graze. Another stunning combination. The reproducible, optional C Instrument Part (Flute/Oboe/Violin) is included in the Ringer's Edition (#1921
Performance options are numerous in this juxtaposition of the Christmas favorites , "O Holy Night!" and "Gesu Bambino. "Configurations include: bells and C instrument, bells and keyboard with optional C instrument or bell and orchestra or small string ensemble (orchestral parts available from the D. Linda McKechnie-information included on ordering).
The quiet, midnight scene depicted in this endearing carol is beautifully captured here with bell effects and the use of wind chimes and finger cymbals. Arranger Judy Phillips brings a fresh approach to this Christmas hymn setting for 3-6 octave handbells with optional percussion. The percussion part - windchimes & finger cymbals
Arranged in a lively Celtic style this Welsh tune is given a lovely treatment for 3-6 octave handbells with an optional part for flute. This powerful hymn tune is useful for any worship service or concert centering on the theme of God’s great love expressed through Jesus Christ.
An arrangement of the hymn for bells and organ. Full score and separate handbell scores are available. Brass Ensemble includes 3 trumpets, 2 trombones, French horn, Tuba and timpani.
The ancient tune PERSONENT HODIE is treated with an energetic and compelling rhythmic treatment in this jubilant Christmas carol. The catchy accompaniment figure combined with tambourine, finger cymbals, hand drum and conga all join together to create a magnetic force that captures the joy of the season. Malleted bells on the table make this especially easy to accomplish with a rewarding effect. Percussion Parts: Conductor's Score, Tambourine, Finger Cymbals, Muffled Drum (Hand Drum), Conga Drum (Floor Tom)
The charm and grace of David Meece's contemporary Christmas classic shines through in this sensitive choral setting from Lloyd Larson. The poetic images and haunting melody are beautifully woven into a gently flowing, richly satisfying, artistic musical fabric. Accompaniment can be piano, handbells,
Driving rhythmic patterns dominate Peggy Bettcher's energetic 3-5 octave arrangement of Chris Tomlin's popular praise song. A variety of handbell techniques including thumb damps, martellatos, martellato lifts, shakes, malleted and LV sections are utilized throughout. Optional parts for Electric Guitar, Electric Bass, and Drum Kit are available for the praise band to join in. Rhythm parts include Guitar, Bass & Drums
Although in a minor mode, the tune is light-hearted and frolicsome in nature. It is a dance, which celebrates Christ's birth with "fife and drum. " It should be played with a happy heart, giving careful attention to all staccato and malleted notes.
This worshipful ballad from Hillsong Music Australia's, Darlene Zschech underscores themes of commitment and discipleship. Arranger Lloyd Larson's gently syncopated setting is a top-seller in our catalog. The colorful orchestration comes from the pen of Mark Kellner
This setting of the hymn tune LOBE DEN HERREN captures the exuberant adoration expressed by the text of this popular hymn. It should be played with great energy and excitement to bring forth the praise contained in each stanza. The subdued second verse uses softer dynamics and mallets, and the partial third stanza employs chimes, providing a change of mood from the opening. A meter change, key change and quickened tempo combine to provide a vivid contrast, and bring the piece to its triumphant conclusion
Kevin McChesney's handbell settings of this title are top-sellers in the Agape/Hope catalog. New for 2010 he offers a setting of this classic hymn for SATB choirs and keyboard. Both the 3-5 octave and 2-3 octave settings for handbells can be used as optional accompaniments to the voices. The energetic forces, created by the rhythmic use of mallets accompanying this powerful tune, make this a dynamic worship choice for many occasions
Choral Setting by Karen Buckwalter.
This versatile arrangement of Thomas A. Dorsey's beloved hymn includes optional parts for B-flat clarinet, bass, and drum set. The introduction is very slow and free with the melody being played by handchimes and accompanied by singing bells. What follows is a relaxed, gospel treatment of the hymn, using a malleted bass line. The bass handchimes take the hymn in the next verse, accompanied by thumb-damped upper treble bells. A grand final verse uses plenty of LV in the bass, full chords and an improvisatory clarinet solo. A brief return to the singing bells and melody in the handchimes brings this soulful arrangement to its final rest.
This 3-5 octave publication has been enhanced by the addition of optional organ/timpani or optional brass/timpani. The brass ensemble includes 2 trumpets, french horn, trombone, tuba and timpani. A perfect concert opener or worship anthem
Arnold Sherman has crafted a stately processional ideal for weddings or any festive occasion featuring handbells, organ or brass, and timpani. At a minimum, the piece can be performed with handbells alone, or by adding either the organ or brass ensemble or solo trumpet. Separate scores are available for each.
If you are looking for a dynamic selection for your Palm Sunday celebration, this Cynthia Dobrinski "classic" will more than fit the bill. It can be performed with bells and organ, or for a more festive rendition, add trumpet and tambourine. For an even more festive performance, brass quintet parts are available and choir or congregation may join in.
"Promenade" serves as the energetic beginning to "Pictures at an Exhibition", a musical rendition of ten pictures by Modeste Mussorgsky. Originally written for piano, it has over the years been arranged for various ensembles. Arnold Sherman's setting includes parts for brass, percussion and organ and is faithful in representing the original's spirit and flavor. Brass Ensemble is two trumpets, Horn in F, Trombone, Tuba & Bass drum and Cymbals.
Commissioned for the 2020 Handbell Musicians of America Area 5 Spring Festival in Louisville, Kentucky, this piece starts open and stately before launching with rhythmic energy into a Bluegrass-infused toe-tapper. It brilliantly pairs the Freeman Lewis hymn tune BOURBON (“I Take My Refuge in the Lord”) with a Daniel Teasley hymn of similar assurance. Marts, mallets, plucks, ring-touches and more are sure to excite your concert audiences and congregations alike; and the optional band (fiddle, tambourine, bass, and guitar/mandolin/banjo) may be added in any combination for extra charm!
Three hymns arranged for 2-3 octaves and keyboard include: O Worship the King (LYONS), Praise the Lord! Ye Heavens Adore Him (Hyfrydol) and Praise the Lord His Glories Show (LLANFAIR). Playing with keyboard strengthens ringer's confidence and is a refreshing ensemble.
Cynthia Dobrinski's new arrangement of this classic Christmas spiritual is sure to be a hit with both church and concert audiences. For the upbeat version, play it as written. For a jazzy alternative, add the optional clarinet and swing the rhythm on the last verse. This piece has few bell changes but a lot of variety of techniques including mallet rolls, TD, Pl, RT, SW, Vib. , BD, and SK, plus two tunes playing at once. For a lively, fun-filled piece this one should not be missed
This original Easter composition by Joel Raney incorporates two well-known Easter hymns, "Christ the Lord Is Risen Today" and "Crown Him with Many Crowns" and is adapted for 3-5 octave handbells by Arnold Sherman. The rhythmic energy captures the joy of celebrating the resurrection! Designed to be done in one of three ways: (1. ) handbells alone, (2. ) handbells, brass and percussion, or (3. ) handbells, organ, solo trumpet and percussion. 2431B includes a conductor's score and parts for 2 trumpets, trombone, horn, tuba, timpani and crash cymbals. 2431FS includes a conductor's score/organ part, and parts for solo trumpet, timpani and crash cymbals.
Popular pop-song by Katy Perry, Lukasz Gottwald, Max Martin, Bonnie McKee, Henry Walter. Handbell choirs will soar to the "top of the charts" with the sensational pop song ROAR, made famous by recording artist, Katy Perry. The positive theme of the lyrics addressed self-empowerment - and like the tiger, champions the cause. With the addition of drum set and synth parts the music builds to exciting proportions.
Popular secular song by Adele Adkins & Paul Epworth. ritish singer-songwriter, Adele had the largest crossover hit in the United States in the past 25 years with this blues, gospel, chart topper. Nicholas A. Hanson's masterful transcription translates perfectly to handbells and features driving, malleted eighth notes as the underpinning for the hypnotic, syncopated melody. Soulful, and understated, this setting for 3-7 octaves, with optional parts for Guitar, Bass, Drums, and Synth is a guaranteed crowd pleaser
Festive music for bells and organ and optional brass. The organ is not optional. Brass ensemble includes three trumpets, three trombones and Tuba.
From Chris Peck, here is an accessible arrangement of Adele's pop hit. With a very legato eighth-note accompaniment, treble and bass bells alike have the opportunity to ring the melody, while mallets, martellatos, shakes, and LVs, add interest and variety. Optional Rhythm Parts for Guitar, Bass, Synth and Drums support the bells and recreate the catchy sound of this mega-hit. Rhythm parts include guitar, bass, synth & drums
The favorite newer congregational song is her set for bells and optional flute or violin. The favorite newer congregational song is her set for bells and optional flute or violin. Reflective tempos, changing harmonies, and even an optional passage (Ossia) all serve to enhance the music. The verses and chorus are marked for reference. Mallets are the predominant technique called for, although others are scattered about through the score.
This meditative arrangement from Albert Zabel presents many options for performance. It may be done by handbells and organ, or with handbells and almost any combination of string and/or wind instruments. A unison vocal choir may also be added. An essential piece for the Christmas season this setting offers a vast array of choices to incorporate this beautiful setting into your worship or concert program
In this vivacious and harmonically interesting 3-7 octave setting, Cynthia Dobrinski makes use of the theme and variations form with optional 3-6 octaves handchimes, flute, and tambourine adding extra color. Contrast abounds with martellatos, martellato lifts, vibratos, echoes, mallets, mallet rolls, brush damps, plucks, shakes, and a swing used in a variety of moods from vivace to a lyrical andante. Though the theme is in a minor key, the lyrical variation is in the parallel major, and after the minor main theme returns, a rousing coda takes the piece back to the major key for a joyful conclusion
Written for 5-6 octaves of handbells with optional sleigh bells, temple blocks, and slapstick, this Martha Lynn Thompson arrangement of LeRoy Anderson's charming Christmas song will delight your audiences and keep all your ringers busy. A variety of techniques, including ringing, plucked or malleted bells, martelatto, ring-touches, and syncopation, add drive and enthusiasm to this holiday favorite.
Secular pop song by FUN/Jack Antonoff, Jeffrey Hasker, Andrew Dost & Nate Ruess. Based on the platinum-selling hit composed, recorded and popularized by the group Fun, here is Doug Anderson's catchy setting of this indi-pop sensation. Arranged for 3-6 octaves handbells with optional 2 octaves handchimes, plus rhythm, featuring, guitar, bass and some flashy parts for the drummers
Alternating gentle, lyrical passages with triumphant, bold sections, this arrangement of the beloved hymn is sure to enhance your worship throughout the church year. The melody passes back and forth freely between the handbells and piano, with each part contributing to the harmony, texture, and overall effect of the piece. A key change on the last verse draws the piece to its final, joyous ending.
This original robust composition portrays well the essence of the victorious. The strength of this piece particularly reveals itself through four possible ways of performance: handbells alone, handbells and handchimes; handbells, hadchimes, and harp (or piano); or handbells and harp. Through any shape or form, the angular lines, the brisk pace and the fullness of sound create a positive encounter for program or worship alike
This brilliant Easter hymn by George Frideric Handel is set by Joel Raney for 3-5 octave handbells and piano in a delightful "classical" style. Clean, crisp lines alternate between the handbells and the keyboard creating a glorious presentation with very few bell changes and plenty of dynamic techniques, ideal for Easter morning
This energetic music can be performed with one or two choirs and optional organ/brass/timpani. Bell techniques abound. Dynamic control a must! Two Trumpets, French Horn, two Trombones, Tuba and Timpani make up the Brass ensemble.
This hymn is one of the most beloved, stoic and strong hymns by Martin Luther. Along with optional trumpet, it declares the absolute power of God and was a rallying cry for the Reformation. In this 3-6 octave handbell version, with 3 octaves optional handchimes and trumpet, the composition takes you progressively through the Christian journey and ends with a triumphant strong verse of comfort and strength. It is perfect for celebrations, festivals and concerts. . . A "barn burner"! The Instrumental product includes parts for both C and B-flat instruments
Jason Krug's exciting original work is a wonderful teaching piece for ensembles working on eighth-note and dotted-quarter-and-eighth-note patterns. The repeating rhythmic accompaniment, which is shared by all ringers, helps reduce learning time. This up-tempo piece is perfect for schools, concerts, or worship services. The three- to five-octave arrangement and two- to three-octave arrangement are compatible for festival occasions. 125 measures. Key of c minor
Popular secular rock-song by Green Day. With its infectious melody and recognizable rhythm, this megahit by the rock band Green Day is a staple at graduation ceremonies. The optional rhythm parts lend a touch of authenticity. Program this fun, easily playable 3-5 octave arrangement for your concert/promotion/graduation, and listen as your group, and your audience, has the time of its life.
Rhythmically easy. Ideal for weddings or general festive occasions. Optional trumpet part is on the back of each piece of music. Brass ensemble is two trumpets, French horn, two trombones and tuba.
This version of "Unto Us a Child is Born" is a joyous Christmas anthem for handbells, organ with optional SATB choir based on ancient Latin text and tune. The bell part is written in block chords but the tempo is fast. Neither the bell part nor the choral score is stand-alone. Measures total 143.
In this commission for the Virginia Highlands Festival in 1996, Ms. Dobrinski presents four tunes: "Abingdon (A Grateful Heart), Mountain Mist (Meditation), Strolling the Barter Green (A Joyful Heart) and Abingdon Revisited". The second title of each tune is a suggestion for use in worship. Each piece is arranged with different texture and techniques. Especially interesting is the use of LV and mallets on suspended bells in Mountain Mist; one can almost feel and see the fog on an early morning in the mountains.
Winner of the "We the People" composition contest sponsored by Malmark Bell Co. in honor of the bicentennial of the constitution. Big chords, narrative and choral reading. Brass score includes two trumpets, two trombones, tuba and timpani.
From Joel Raney, here is a dynamite arrangement of this popular Epiphany hymn for bells and optional handchimes, synthesizer and orchestral percussion. The depiction of the three kings journeying to Bethlehem on camelback is skillfully captured as these musical forces join together to paint the familiar text and conjure images of long ago wise men following yonder star. The separate instrumental packet contains a Conductor's Score and parts for: Keyboard/Synth. , Percussion 1 & 2