Christ Arose/Hallelujah!
Celebrate Easter with this medley combining the hymn, "Christ Arose" with excerpts of the "Hallelujah Chorus". Techniques (Sk & Tw) add to the excitement of this medley.
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Celebrate Easter with this medley combining the hymn, "Christ Arose" with excerpts of the "Hallelujah Chorus". Techniques (Sk & Tw) add to the excitement of this medley.
Bold and celebratory describe this arrangement of the beloved hymn. Perfect for any time throughout the church year.
A piece with movement. Lovely middle melody. Repeated patterns facilitate learning.
Three octaves of optional chimes (from C4 to C6) are scored in this rhythmic version of the minor carol melody. LV, echo and the chimes combine for a "shimmery" effect, like a frosty Christmas morning.
Sondra K. Tucker gives us the spirited and inspirational Creation's Dawn: A Prairie Hymn, for three to five octaves of handbells. What begins as an ethereal prayer with mallets on suspended bells and the singing bell technique quickly moves into a soaring melody underscored by an ostinato countermelody and syncopated bass line. Plucks, echo rings, martellatos, and martellato lifts help give this whimsical piece its charm. A perfect opening to a spring concert, or for use during general worship.
The final section of this arrangement on the stately hymn incorporates a running bass line that adds to the majesty. Add that to a full texture and strong ringing and you've got an arrangement that communicates the hymn text's message.
Trumpeters will have fun playing either a regular B flat trumpet or a B flat piccolo trumpet (optional) along with this festive bell arrangement which combines John Stanley's "Trumpet Voluntary" with the hymn tune DIADEMATA. Dotted rhythms, chordal texture, and a steady pulse all lend themselves to the stately mood.
Combine bells with 3-4 octaves of optional chimes and use this as a Christmas show piece! Performance suggestions give helpful ideas for simplifying several difficult measures. Mallets are used extensively!
"Dance Rondo" is the 1986 Area V Composition Contest Tins Winner. This is a great selection, fun to ring as well as hear.
A transcription from "The Nutcracker Suite", this is the familiar "Christmas rush" title often heard in movies. The big challenge will be getting it up to the "molto vivace" speed!
This is a short, quiet arrangement with intriguing harmonies. Mallets are used in middle section.
Written to honor a couple on their wedding, this arrangement is based on the hymn tune BLOTT EN DAG. Flowing, eighth-note accompaniments support the melody as the piece opens. In a later section optional chimes, mallets on suspended bells, and echoes further enhance the mood.
A brass-like fanfare opens this setting of Henry Smart's original piece. Syncopations and a strong pulse move the music along with the martellato techinique carefully appointed to add exclamation. The piece is a good length for Easter Sunday celebrations.
This forceful selection is the perfect way to kick off Easter Sunday! A bold fanfare gives way to the well-known Easter hymn, underscored by moving triplets. A verse in minor gives way to a final, triumphant verse to herald the resurrection of Christ. Add in the optional one or two trumpets for a larger, more celebratory sound! Trumpet parts are included in the score.
This original work based upon the opening of Psalm 130 (“Out of the depths I cry to you, O Lord; Lord, hear my voice.”) is a haunting, emotional work for the ensemble looking to showcase its delicate musicality. Opening with ample, harsh dissonance, it gives way to a hopeful, rising theme that returns throughout the piece. Flowing sixteenth note accompaniments propel the piece toward its glorious climax, which gives way to the opening material once more. An impressive and awe-inspiring choice for an emotional moment in worship or concert.
A jaunty opening figure leads off this arrangement of the well-loved Welsh tune. After a couple of traditional verses, the tune is set as a waltz before one last, triumphant iteration of the theme brings the piece to a glorious conclusion. Add in the optional percussion throughout to enhance the overall effect of the piece. A fun choice for the holiday season!
The soulful spiritual is set against flowing accompaniment in the opening of this arrangement. Later sections build in intensity. The final section returns to the reflection of the beginning. This piece is a worthy challenge to develop musicality in ringers.
Handbell setting of the John Ness Beck's SATB anthem (BP1167). May be used as an accompaniment for the anthem, as well as a solo number.
Introduced by a "bell tower" motif, the melody enters in the doubled treble bells. After two full sections of this melody, a parallel key change leads into "The Ukrainian Bell Carol." The final sections return to the title tune. The ringers all keep involved while achieving a lilting feel.
Intriguing harmonies complement the traditional tune and create a happy Christmas offering.
This fun, light arrangement of the well-known Christmas tune will bring a smile to your audience’s faces. While the harmonies are straightforward, the frequent interwoven staccato sections add a lighthearted feel to the piece. Bell changes are kept to a minimum, even including a key change halfway through the piece. Perfect for worship or concert use during the Christmas season.
An opening peal figure gives way to the theme of the traditional carol, all in 10/8 time. A more standard verse in 4/4 gives way once more to 10/8 as the piece comes in for a raucous conclusion. Unexpected and compelling harmonies abound throughout, giving this old carol a new feeling. A great choice for advanced ensembles looking for a chance to work on mixed meter.
Douglas Wagner’s simple arrangement of this traditional song will compliment a peaceful moment during your worship service. Straightforward and easy for even inexperienced choirs to put together, the flowing accompaniments and unexpected harmonies lend this piece a glorious touch of elegance.
A haunting opening featuring singing bell, handchimes, and malleted bells gives way to a flowing set of verses of the hymn tune “Union Seminary.” Numerous key changes provide varying commentary on the tune, and delicate use of handchimes allow both the melody and counter-melodies to shine through. The piece grows in grandeur and expression before returning to the feeling of the beginning once more. UNION SEMINARY, which this arrangement is based on, is by Harold Friedell.
This haunting original tune is full of intense emotion and is perfect for any ensemble looking to work on their musicality. Flowing eighth note accompaniments underscore the simple melody, and unexpected harmonies abound, yielding moments of hope, surprise, and lament. A perfect choice for any ensemble throughout the year, but particularly nice for something different during the Lenten season.
The Lutheran hymn tune by David N. Johnson is here set with optional 16 handchimes in the 3 octave range. A fortissimo fanfare introduces the work and drives the excitement through to a 6/8, flowing section, which includes the chimes. The final section mirrors the beginning.
Looking for a fun, yet challenging concert piece? "Entry of the Gladiators" will fit the bill. It is best associated with circus music, and a half page of this arrangement is devoted to bell assignments.
Although written in a minor mode, there is an excitement which underlies this unusual carol. Optional notes are Db7 through F7.
From its haunting opening iteration of the theme, this arrangement of the stirring Navy Hymn is sure to touch the hearts of your listeners. A more flowing second verse gives way to a reflective third verse and a final triumphant closing verse. Unexpected harmonies abound, adding a hint of freshness to this well-loved tune.
Andante Espressivo tempo and mood open this original composition for bells and 3-5 octave of handchimes. The meter is predominantly 4/4 and travels through Eb, C, Ab, and E Majors. This is a good challenge for musicality and bell changes.
With gentle, pulsing accompaniment, 3 octaves of optional chimes, and peaceful tempos, the arranger has combined "Abide With Me," "All Night, All Day," and the "Tallis Canon" into a devotional medley perfect for worship or concert
Patricia Sanders has created an interesting, rhythmic arrangement of the traditional spiritual.
Beckenhorst's all-time best choral octavo is now available here as a bell selection. The bell transcription is just as exciting as the choral!
Not at all for the feint of heart, Michael Helman’s three-movement masterwork is a true tour de force for your ensemble. The piece opens with the “Exaltation,” which alternates between a stately Baroque feel and a more modern syncopated rhythm, creating an atmosphere both old and new. This segues to the gentle “Reflection,” set in a lilting 9/8 time, which then gives way to the driving rhythms of the “Dance,” set primarily in a minor 7/8 time, but with occasional measures in 6/8, 3/8, and 4/4 thrown in for good measure. An outstanding musical statement for your advanced ensemble!
This energetic original composition will give your ringers a musical and technical workout. A slow opening gives way to driving malleted chords and a frantic, emotional theme, which moves between registers throughout the piece. Rhythmic and exciting, this work is sure to delight!
Kerry Johnston’s exciting and uplifting original tune is a delightful syncopated frolic, sure to delight ringers and audiences. Driving eighth notes underscore the memorable melody, which takes several unexpected harmonic twists and turns on its way. A more laid-back middle section plays the melody in half time, casting it in a different light, before the opening feeling returns for a rousing conclusion.
Extreme Fanfare is the perfect title for this challenging piece written for the Raleigh Ringers.
A medley of His Eye Is on the Sparrow, My Hope Is Built on Nothing Less and It Is Well with My Soul.
The middle section of Bach's organ work "Piece d'Orgue" proves to be a meaty bell arrangement, as suspensions are resolved and then become suspensions again. Dampening must be well mastered!
Douglas Wagner’s arrangement of three familiar and beloved hymns – “Nearer My God to Thee,” “Old Time Religion,” and “What a Friend We Have in Jesus” – will delight audiences and ringers alike. This arrangement – a 2 to 3 octave version of the previous 4 octave version – may be familiar to some ringers, but is now accessible to smaller choirs.
Douglas Wagner’s arrangement of three familiar and beloved hymns – “Nearer My God to Thee,” “Old Time Religion,” and “What a Friend We Have in Jesus” – will delight audiences and ringers alike. This arrangement – a 2 to 3 octave version of the previous 4 octave version – may be familiar to some ringers, but is now accessible to smaller choirs.
This fantasia on the hymn tune FOREST GREEN begins slow and free, but soon picks up momentum in a faster, driving section with syncopated rhythms.
Matthew Compton's setting of the tune EBENEZER provides many variations on the theme in contrasting styles and moods. At times upbeat and forceful and others solemn and subdued, the piece will elicit the maximum musicality from your ensemble. Be sure to watch for the surprise ending!
Joyful, energetic, syncopated, spiced with staccato effect, and fully-scored this original work was commissioned in memory of loved one. Mallet clicks add a surprise in the latter half of the piece.
"Shenandoah," a favorite American folk tune, is set here for bells in a manner that resembles the flowing river itself. The LV technique figures highly as well as inner lines and moving eighth-note accompaniment lines.
"Shenandoah," a favorite American folk tune, is set here for bells in a manner that resembles the flowing river itself. The LV technique figures highly as well as inner lines and moving eighth-note accompaniment lines. This is the original arrangement for 5 octaves.
One immediately recognizes the hymn "All Creatures of Our God and King" in this clever arrangement as it is repeated in various octaves and tempi.
This famous composition is taken from L'Arlesienne Suite No. 2 by Georges Bizet and set for the advanced handbell choir. It is well worth the effort and challenge to produce a show stopping performance!
Marked "Maestoso, with grandeur," this arrangement of a 15th century tune fits that character marking perfectly. "Tall" chords, running eighth-notes, and strong dynamics exude the festival spirit. Later on, optional chimes (primarily in the bass clef) add to the musical palette.
Mallets on suspended upper bells in ostinato pattern accompany a rich, lower melody in the opening section of this carol arrangement. Later, the melody is in the treble supported by flowing eighth-note accompaniment in the lower bells.
The A-B-A form of this carol arrangement allows ringers to work on contrasting musical ideas. The A sections are strong, chordal, with soaring melody in doubled octaves. The B section is quiet, reflective, and lighter in texture. The final A section is broad, in a new key, and drives to the fortississimo ending in measure 86.
Newcomer Brenda Austin gives us this delightful arrangement that delicately knits together Pachelbel’s famous Canon with The First Noel. Handchimes are interwoven at key points to articulate various parts of the two melodies. With no special techniques and minimal bell changes, ringers are free to focus on the nuance of melody and line in their pursuit of a truly musical performance. This intriguing spin on two familiar tunes is sure to delight ringers and listeners alike.
Five fanfares varying in key and style. Useful as fanfares or interludes.
Anna Laura Page's arrangement of “Flee As a Bird” is both lyrical and yearning. Flowing eighth notes accompany the simple melody, which grows in intensity and strength through to a final climax before dying away to a gentle finish. A perfect choice for a reflective moment in concert or worship.
The hymn tune DIX is set here in a light jazz feel. Gentle syncopations and mallets on suspended bells add flavor to the mix.
Patricia Hurlbutt’s arrangement of this traditional English carol is accessible for late-beginning ensembles, yet has more than enough musical substance to engage even advanced choirs. The melody moves throughout the group, giving all parts their time to shine, while easy-to-learn accompaniment figures create textural interest. Several key changes and the occasional accidental provide just enough challenge to keep all ringers busy. A great choice for your holiday season!
For advanced choirs only. All ringers work vigorously throughout this piece.
This arrangement brings an air of flamenco to the traditional Catalan carol. This piece is an energetic Christmas offering sure to delight audiences.
A delightful arrangement from a previous century. Melodic and rhythmically simple.
Sub-titled, "Let There Be Light," this original and very imaginative work is based on Genesis 1:1-3. The music takes on the role of storyteller by musically describing the events of creation.
Delightful change of pace. Not fast tempo (compound meter) but ringers must remain alert!
Malleted bass notes underpin a haunting melody in this original composition. Changes between bells, chimes, and various techniques will provide intermediate choirs with a challenge, but an accessible one. Sure to delight audiences, this piece is perfect for an energetic statement in either worship or concert.
From the talented pen of Karen Lakey Buckwalter comes this jubilant original composition. Confident rhythms and exciting harmonies keep things sounding fresh and fun. A strong minor section with liberal use of mallets and martellato-lifts provides contrast to the opening major section, which returns at the end to close out the piece on a triumphant note. Sure to be enjoyed by ensembles both in and out of church.
Lloyd Larson gives us this richly-conceived arrangement of Give Me Jesus, for three to five octaves of handbells. The interesting harmonies are balanced with simple rhythms, yielding a beautiful yet accessible piece. This is a good piece for introducing or reinforcing key- and bell-changes with your ringers, as all ringers will need to change bells at some point. Use this piece during Lent or any time you need to set a reflective mood.
Sandra Eithun's stunning medley of two well-loved hymns is sure to be a hit with your congregation. A bold fanfare gives way to a majestic setting of the tune ENGELBERG (When In Our Music God Is Glorified), followed by a joyous setting of LOBE DEN HERREN (Praise to the Lord, the Almighty). At the end, the two tunes are artfully combined to provide a triumphant conclusion.
Flowing and delicate, this arrangement beautifully pairs handbells, handchimes, and your choice of a B-flat or C instrument. Simple arpeggios underscore the theme in the handchimes and provide a good opportunity for ensembles to practice their skills at feeling compound meter. The added instrument alternately provides the main melody or a countermelody, allowing everyone to practice balance and musicality. A beautiful choice for a quiet moment in worship.
Optional tambourine and hand drum add to the festive appeal of this uptempo setting of the time-honored Christmas carol. Mallets on tabled bells are scored extensively throughout the work
Jason Tonioli’s arrangement set for handbells by Matthew Compton is a refreshing setting of the traditional Christmas carol.
There is nonetheless enough textural variation to provide interest for your more advanced ringers, while still being well within won’t complain about being bored, as the moving quarter notes will keep them on their toes. Two different options for repeats are offered, allowing you to customize the length of the piece for your worship service or concert. The recording is of the 4-6 octave arrangement.
There is nonetheless enough textural variation to provide interest for your more advanced ringers, while still being well within won’t complain about being bored, as the moving quarter notes will keep them on their toes. Two different options for repeats are offered, allowing you to customize the length of the piece for your worship service or concert. The recording is of the 4-6 octave arrangement.
A simple, interesting arrangement of the popular choral classic.
Starting very simply and sweetly before gradually building to a triumphant conclusion, this arrangement is the perfect offering for the Lenten season. Easy harmonies and rhythms contrast with interesting and unexpected chord changes, making this piece both familiar and fresh.
Delicate malleted bells and handchimes bookend this arrangement suitable for any time during the Lenten season, or for a special Good Friday service. From a solemn, reflective opening through a powerful statement of the well-known hymn and back once more to a delicate, prayerful ending, listeners get to contemplate all aspects of Jesus’ sacrifice on the cross. Available in compatible 2-3 and 3-5 octave versions, this selection can be performed by groups large and small, or even by multiple ensembles together.
Delicate malleted bells and handchimes bookend this arrangement suitable for any time during the Lenten season, or for a special Good Friday service. From a solemn, reflective opening through a powerful statement of the well-known hymn and back once more to a delicate, prayerful ending, listeners get to contemplate all aspects of Jesus’ sacrifice on the cross. Available in compatible 2-3 and 3-5 octave versions, this selection can be performed by groups large and small, or even by multiple ensembles together.
The immediate use of mart and mart lift sets a happy, joyous mood for this setting of the "Helobt Sei Gott"Tune.
This programmatic setting of the familiar Christmas song is a perfect choice for worship and concert settings alike.
The melody of the hymn tune CWM RHONDDA appears in both the upper and lower registers surrounded by a variety of accompamental styles. Among other techniques, the shakes bring out the majesty of the text.
Transcribed from the work of the eminent composer, Satie (1866-1925). Quiet & Melodic.
At times both rhythmically- and harmonically-off-kilter, this arrangement gives voice to the feeling of loss and confusion associated with the Lenten season. Through a contemplative middle section making use of the echo technique, the piece rises to a triumphant, major iteration of the theme signaling the victory of Easter morning.
From a simple, heartfelt beginning, this piece explodes in a flurry of activity and joy. Liberal syncopations, mixed meters, and unexpected harmonies will keep ringers and listeners alike on their toes. The middle section makes extensive use of stopped sounds before giving way to a final rung verse. For any group looking for a worthy technical challenge, look no further!
The tunes "Mendelssohn" and "Christmas" are used in this delightful Christmas medley.
Contemplative and mystical, this African-American Spiritual should inspire a sense of reflection if handled musically, paying attention to dynamics and tempo variations. The challenge will be in chromatic changes. The ending is especially effective.
The traditional spiritual arranged by Lloyd Larson. Lloyd Larson gives us a captivating arrangement of this beloved spiritual. Rich harmonies are featured throughout, and all parts get a chance to play the melody at some point in the piece. Great for ensembles looking for something a little different and not too technically demanding for their Lenten services.
A slow, introspective 6-measure introduction opens this original work written for a wedding ceremony. The main body of the work is marked "cantabile" and utilizes optional handchimes as well as bells. Flowing, eighth-note figures form the bulk of the accompaniment, and the texture is light and open.
An arrangement from Haydn's "Creation". It is well edited and arranged for the 4 octave choir with several optional notes in the bass clef (C & F3).
Ringers will enjoy this romp through the old English Carol. There's plenty in here to keep them busy but still able to keep up with the "bright" tempo (dotted quarter = 96) in 6/8 meter.
This fun, energetic arrangement of the traditional carol features a variety of techniques, timbres, rhythms, and harmonies. The beginning can be used as a processional if desired. The optional hand claps and wind chimes are easy enough to include, and add significantly to the overall effect.
Doug Wagner’s arrangement of this familiar hymn is both simple and heartfelt. With few bell changes and no tricky rhythms, this piece is an ideal choice for the developing choir. Perfect for a moment of quiet contemplation in any service or concert setting
The echo technique figures highly in the gentle opening of this English Christmas carol. Optional handchimes, ranging from F5 to C7, add shimmer to the mix. The textures build throughout to a strong, but flowing conclusion.
With the use of mart-lifts, ostinatos, and key changes, many moods are set within this arrangement of the lively English tune.
Original work by Michael R. Keller. In this Michael Keller original, a hopeful, relaxed melody gives way to a contentious middle section before the theme of hope returns once more at the end. With numerous bell changes throughout, ringers will need to stay on their toes, as well as pay attention to the numerous accents and martellatos throughout. This piece will find ample use during any part of the year, in or out of church.
Exciting syncopations feature prominently in the opening verse of this arrangement by Brian Childers. Various stopped techniques throughout the piece lend a sense of joyous festivity. The melody moves around through all parts, giving all of your ringers a chance to shine.
Grand and glorious describe this transcription by Arnold Sherman of the piano arrangement by Craig Courtney. Written in the style of Aaron Copland, lush harmonies and driving syncopations abound, instilling an air of joy and delight to the piece. A slower middle verse lets ensembles work on flowing, musical lines. A great choice for a high-energy piece for worship or concert!
A whimsical piece great to fill out the concert or festival program.
Contains: PICARDY; STUTTGART, VENI EMMANUEL; ANTIOCH; CHRISTMAS; THE FIRST NOWELL; GLORIA; IN DULCI JUBILO; MENDELSSOHN; STILLE NACHT
Contains: GETHSEMANE (REDHEAD NO. 76); HAMBURG; HERZLIEBSTER JESU; PASSION CHORALE; ST. THEODULPH; EASTER HYMN; LANCASHIRE; PUER NOBIS NASCITUR; SALZBURG; VICTORY
Contains: AMAZING GRACE; AMERICA; FESTAL SONG; MATERNA; NATIONAL HYMN; OLD HUNDREDTH; ST. ANNE; ST. GERTRUDE; ST. THOMAS (WILLIAMS); TALLIS' CANON
Contains: AURELIA; AZMON; CORONATION; DIX; HYMN TO JOY; KREMSER; LAUDES DOMINI; NUN DUNKET; ST. GEORGE'S WINDSOR; TERRA BEATA
This tune by Phillip Bliss is presented here in an accessible arrangement for smaller choirs. All parts get a chance to play the melody, and with limited techniques and no bell changes, even beginning choirs should have little trouble putting this piece together. A splendid choice for worship any time of the year.
An arrangement of the tune from Ingall's "Christian Harmony" associated with this title. It is now a revised version, originally written for 4 octaves only, now for 3 to 5 octaves and arranged in a different key.